The article aims in arranging the discourse concerning the celebrities’ morality that is visible in their behaviour which is made public by mass media. It indicates the problematic reasons and consequences of this phenomena. The text concentrates on the priority of profit in the promotion mechanism: “morality of the celebrities”. The narration is derived from the notion of “celebrity” and develops into approximating of possible understanding of morality connected with celebrities’ views – it qualifies the opinions on the level of situation- based existential ethics. On the example of a fragment of breakfast television programme: Dzień Dobry TVN, the article depicts difficulties with grasping the core of this moral orientation. Afterwards, the article discusses a problem of media influence and, consequently, the celebrities’ influence on the recipients. It shows a scheme of profit-oriented media creation of celebrities and the way in which they state moral issues.
The article focuses on the role that musical terminology and musical masterpieces perform in the theological narration of Hans Urs von Balthasar. The author analyses the major musical terms present in Balthasar’s works and the various interpretations of those terms in the theologian’s thought. Next, he shows how Hans Urs von Balthasar uses the musical masterpieces to focus on the unspoken content of faith. The analysis confirms that Hans Urs von Balthasar treats music as an important theological source: a „locus theologicus”.
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