In a relatively short period of time we have become accustomed to night time illuminated by sources of light. The culture of the reception of “historical” architectural space, created for the effects of daytime chiaroscuro, is changing. While extracting architectural objects from darkness, we should take into consideration spatial relations with the environment. Illumination should never create elements of space that remain mutually unconnected. In order to co-ordinate illumination on the scale of an urban macro-interior, it is extremely useful to conceive a conceptual project for illumination on a city scale. Finally, the illumination of a given object should be a creation meeting a fundamental condition – the evocation of the cultural values contained within a historical object in the sphere of space and spirit.
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