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Propaganda reform burmistrza Henryka Strobanda w dekoracji Sali Rady z 1603 r. w ratuszu staromiejskim w Toruniu

100%

Kolendo-Korczak K.

Zapiski Historyczne

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2009

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tom 74

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nr 3

37-60

EN

The painted decoration in the Council Room in Torun’s Town Hall, not preserved but known from detailed descriptions, arises interest thanks to its iconographic programme. It was commissioned by the Council of the Town in 1603 and made by the Gdansk painter Anton Möller. The author of the decoration was the mayor Henryk Stroband – a very well-educated man, outstanding politician and initiator of numerous reforms conducted in the town. The collection of paintings had a very extensive and original programme – it consisted of twelve tables, including two corresponding tabula emblematica with exemplae which illustrated them. Each table was provided with a plate saying what the subject of the painting was. The collection of the paintings referred to the Roman ideal of the Law of the Twelve Tables, and was to evince virtues and values which governing men should take into account in their pursuit to create an ideal town. The decoration constituted a kind of hint for the members of the Town Council, which used to be a common subject of municipal buildings. What decided about the uniqueness of the Torun decoration was its actualization. The main topic of some tables was the presentation, and more specifically, the glorification of reforms conducted or planned in the town, which were initiated by the mayor Henryk Stroband. They presented i.e. plans concerning the modernization of town walls, the reform of the town secondary school (gymnasium), social problems – the care for the poor, preventing conflicts between social classes. The details of those reforms are known from Henryk Stroband’s diaries, in which he included his extended reformist concepts. Another interesting aspect was the choice of personifications and emblems as well as historical exemplae – coming from the Bible and ancient history, where besides commonly known motifs there appeared rare and original topics, which proves thorough education and considerable erudition of Henry Stroband and his co-workers, who were professors of the Torun gymnasium.

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Dokumentacja rysunkowa sarkofagów królewskich z katedry na Wawelu ze zbiorów Muzeum Uniwersytetu Jagiellońskiego i jej wykorzystanie podczas prac konserwatorskich

100%

Kolendo-Korczak K.

Opuscula Musealia

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2020

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tom 27

23-37

EN

In the 1870s, during renovation works in the crypts under the Wawel Cathedral, which were carried out in order to adapt them for visitors, a detailed inventory was created of the sarcophagi from the Royal Tombs. This documentation, which is now stored in the collections of the Jagiellonian University Museum, was initiated by Prof. Józef Łepkowski, a researcher of exceptional merit in the inventory and documentation of historical objects. Pencil drawings, watercolors and pencil frottages were made by Kraków painters and students of the School of Fine Arts. Each of the renovated coffins was meticulously documented in every detail and it also includes reproductions and frottages of memorial plaques. These materials constitute an invaluable base, both as an iconographic source for the art historian and for the conservator during conservation activities. They were used during the recent restoration and conservation of the metal royal sarcophagi carried out by the monument conservation workshop of Agnieszka and Tomasz Trzos. Analysis of the preserved iconographic sources collected by an art historian and of the material research performed by restorers permitted not only the reconstruction of the original color scheme of the royal sarcophagi, but also allowed the restoration of Sigismund II Augustus’ coffin to its primary form. The effects of this conservation work attest to the crucial role of a meticulously prepared documentation.

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Odpowiedź na uwagi pani dr Krystyny Staweckiej

51%

Kolendo-Korczak K. , Michalczyk Z. , Zgliński M.

Biuletyn Historii Sztuki

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2019

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tom 81

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nr 2

338-338

PL

Polemika z Krystyną Stawecką na temat tekstu zamieszczonego w Biuletynie Historii Sztuki. Autorzy stwierdzają w niej brak odpowiedzi na najważniejszy zarzut: brak naukowej rzetelności dwóch artykułów Autorki (z 2017 r.), w których wzmiankuje ona ikony Prorok Aaron i Michał Archanioł z drzwi diakońskich ikonostasu cerkwi pw. Zwiastowania NMP w Supraślu w których przemilczała ich odnalezienie w cerkwi cmentarnej w Topilcu przez zespół Katalogu Zabytków Sztuki w Polsce i ich publikacje w tym wydawnictwie w roku 2016.