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Czym jest polski design?

100%

Kostrzyńska-Miłosz A.

Załącznik Kulturoznawczy

2019

nr 6. Design. Teoria, praktyka, interpretacje

91-104

The article touches upon the question of the history of Polish industrial design. It analyses its genesis since the second half of the nineteenth century as well as the crucial problem of how ‘Polish’ and nationally rooted were, in fact, the forms presented by the Polish designers at the time. Further reflections on the topic show two main tendencies – inspirations emerging from folk art and the search for modernity (characteristic of the entire European design during the period). Both tendencies are still present in Polish design.

Koadiutor Jan Kajzer współtwórcą polskiej odmiany stylu art deco

100%

Kostrzyńska-Miłosz A.

Seminare. Poszukiwania naukowe

2014

tom 35

nr 1

171-179

The design work of the Salesian Coadjutor Jan Kajzer (1892-1976) is not generally known, even though he was an esteemed artist in the inter-war period. He began his education in the years 1908-12 at the Salesian Crafts School in Oświęcim, and subsequently attended the Nuremberg School of Interior Design (1921-22), Cracow’s School of Industrial Arts (1924-26), and the Technische und Kunstgewerbliche Tischler Fachschule in Cothen (Anhalt) (1926). From 1930, Kajzer studied at the Department of Interior Design at the Warsaw Academy of Fine Arts under, among others, the guidance of Wojciech Jastrzębowski (later on Kajzer became his assistant). On the basis of his design projects, he was invited to join the Ład Artistic Cooperative. At the 1936 Ład’s exhibition, he displayed a set of living-room furniture which was widely praised. He won a number of awards: that of the Ministry of Religious Affairs and Public Education in 1936; an individual prize of the National Culture Fund; and a prize of the Guild of Master Carpenters, Turners, and Sculptors in Poznan. During World War II, Kajzer designed many sacral interiors.

J. Nowiński, Ląd, Wydawnictwo Tamkapress, Warszawa 2013

75%

Kostrzyńska-Miłosz A.

tom 36

nr 2

242-244