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1
Content available „14 bajek z królestwa Lailonii Leszka Kołakowskiego” w praktyce edukacyjnej
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Zamojski J.
Kultura-Społeczeństwo-Edukacja
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2016
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tom 9
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nr 1
57-67
EN
14 Tales from the Kingdom of Lailonia by Leszek Kołakowski is a series of animated films. The author of the publication is the originator of the adaptation and the script writer. The text focuses on the author’s use of the films in the teaching of philosophy and aesthetics at the University of Medical Science in Poznań and in the promotion of philosophy via institutions of science and culture. On the one hand, the films provide some general knowledge about philosophy, as when writing the scripts the author was inspired by notions and figures from the history of philosophy, suggesting their use in the imagery used in the films. On the other hand, the films disseminate knowledge about the philosophy of Leszek Kołakowski, e.g. by a comparative analysis of the films and their literary bases and the philosophical texts by the author of Tales from the Kingdom of Lailonia. They have also been used in inter-cultural dialogue (e.g. in Tokyo, in a program accompanying the Polish Presidency in the European Union). Other teaching measures include the author’s published texts concerning various aspects of this adaptation.
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Content available Miasto w Lailonii. Uwagi scenarzysty
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Zamojski J.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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2013
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tom 12
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nr 21
43-63
EN
The article discusses the role of the city in Tales from the Kingdom of Lailonia by the philosopher Leszek Kołakowski, and in the animated film series Fourteen Tales from the Kingdom of Lailonia by Leszek Kołakowski, which is an adaptation of the book. The article is written from the point of view of the originator of the adaptation and the screenwriter of all the films in the series. The author examines the historical and ideological context of L. Kołakowski’s writing the Tales … and analyzes the role of the city understood as the setting of the plot (topos) and the venue for an exchange of ideas (agora) and for the community (polis); he does so on three levels: that of the literary original, the screenplay adaptation, and the film. He also examines the role of the city in those senses for the drama of the individual films, the philosophical and esthetic premises of the role, and – in these contexts – the relations between the selected films and their screenplays.
PL
A city in Lailonia. Remarks from a screenwriter The article discusses the role of the city in  Tales from the Kingdom of Lailonia by the philosopher Leszek Kołakowski, and in the animated film series Fourteen Tales from the Kingdom of Lailonia by Leszek Kołakowski, which is an adaptation of the book. The article is written from the point of view of the originator of the adaptation and the screenwriter of all the films in the series. The author examines the historical and ideological context of L. Kołakowski’s writing the Tales … and analyzes the role of the city understood as the setting of the plot (topos) and the venue for an exchange of ideas (agora) and for the community (polis); he does so on three levels: that of the literary original, the screenplay adaptation, and the film. He also examines the role of the city in those senses for the drama of the individual films, the philosophical and esthetic premises of the role, and – in these contexts – the relations between the selected films and their screenplays.
3
Content available Kontekst filozoficzno-antropologiczny funkcjonowania pojęcia czasu w filozofii medycyny: dyskursy nieśmiertelności, teraźniejszości oraz wieczności
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Moskalewicz M. , Zamojski J.
Zeszyty Naukowe Centrum Badań im. Edyty Stein
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2016
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nr 15
37-47
PL
This paper gives an overview of three discourses of time in philosophy ofmedicine distinguished by the authors: the discourse of immortality (aiming at an objectiveprolongation of life), the discourse of the present (aiming at the quality of subjectivetemporal experience) and the discourse of eternity (aiming at transgressing the limits oftemporality). Views of renowned representatives of each of these discourses are beingdiscussed, including members of the so-called Polish School of Philosophy of MedicineH. Nusbaum, H. Święcicki), phenomenological psychiatrists (L. Binswanger, V. E. vonGebsattel, E. Straus) as well as some more contemporary authors (Z. Bauman, A. de Grey,A. Szczeklik).
4
Content available Dwugłos o poznańskim Studiu Filmów Animowanych
63%
Sobolewska E. , Zamojski J.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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2013
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tom 13
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nr 22
115-132
EN
The article relates to the studio both as an institution which has operated for three decades in different economic systems and various legal and organisations forms and as a creative team that has made films. The authors are: Ewa Sobolewska, a film producer associated with the Studio since the very beginning, its president for over ten years to date, and Jan Zamojski, an academic and script writer cooperating with the Studio as the author of adaptations and scripts for the films of the series Fourteen Tales from the Kingdom of Lailonia by Leszek Kołakowski. The article adopts a perspective of Production Culture studies initiated by J.T. Caldwell, with the use of the so-called emic perspective and a narrative interview. It is composed of a methodological part and authors’ comments to the questions they posed to each other. The narratives provide impressions from the period of developing the concept of the film and from the film set itself. They also contain more general self-reflections on the role of the script writer and the role of the producer in the creation of a film and reflections on the role of the Poznań Studio of Animation Films for the culture of film, including its local aspect.
PL
Artykuł dotyczy tego studia zarówno jako instytucji, która w ciągu trzydziestu kilku lat funkcjonowała w różnych systemach ekonomicznych i w różnych formach organizacyjno-prawnych, jak i jako zespołu twórczego, dzięki któremu powstawały i powstają filmy. Jego autorami są: Ewa Sobolewska, producent filmowy, związana ze studiem od początków jego istnienia, a od kilkunastu lat jego prezes, i Jan Zamojski, pracownik naukowy i scenarzysta, związany ze studiem jako pomysłodawca adaptacji i autor scenariuszy filmów z cyklu 14 bajek z królestwa Lailonii Leszka Kołakowskiego. Artykuł napisany jest z pozycji badań kultury produkcji, wyznaczonej przez J.T. Caldwella, przy przyjęciu tzw. perspektywy emic i wykorzystaniu narzędzia wywiadu narracyjnego. Zawiera część metodologiczną oraz wypowiedzi autorów, które powstały jako komentarze do zagadnień, jakie przedstawili sobie nawzajem. Narracje te są świadectwami wrażeń zarówno z okresu koncepcyjnego pracy nad filmem jak i z planu filmowego i zawierają także ogólniejsze autorefleksje dotyczące roli scenarzysty i roli producenta w powstawaniu filmu oraz roli poznańskiego Studia Filmów Animowanych w kulturze filmowej, w tym także w jej lokalnym wymiarze.
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Content available 15 Minutes: Belarus!
38%
Dashkevich A. , Dashuk V. , Dzianowicz B. , Kilian J. , Volakh I. , Zamojski J.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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2014
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tom 15
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nr 24
231-148
PL
15 Minutes: Belarus!
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