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2 Acta Universitatis Sapientiae, Film and Media Studies

2 2015

2 Bene A.

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Intermediality and Reflexivity in Andrzej Żuławski’s Fidelity

100%

Bene A.

Acta Universitatis Sapientiae, Film and Media Studies

2015

tom 11

nr 1

181-193

The paper focuses on a characteristic of Andrzej Zulawski’s aesthetics which has been ignored by most of the critics who emphasized the impact of surrealism and the taste for provocation in his cinema. Meanwhile, the œuvre’s French period is obviously characterized by self-reflexivity and media-reflexivity, autobiographical and literary background references. In these film dramas, the topic of love, beauty and artistic values are interconnected with a sophisticated narrative strategy using intermediality and intertextuality in a complex way. In Fidelity (La Fidelité, 2000), Żuławski put photography and literature in focus again in order to express thoughts and emotions in their complexity, surpassing the limitations of the linear narrative. A certain semiotic double-codedness is provided by either intertextual references or the hidden meanings based on the symbolic language of flowers, used as diegetic metaphors. Moreover, Żuławski thematizes photography that makes us conscious of our experiences from an aesthetic distance, even in an ironic manner.

Rhizomatic Narrative and Intermediality in Treme

100%

Bene A.

Acta Universitatis Sapientiae, Film and Media Studies

2015

tom 10

nr 1

61-71

In this paper, I study the narrative structure and the layers of meaning in the Treme (2010-2013), using the concept of rhizome introduced in A Thousand Plateaus by Deleuze and Guattari (1987) and the Hannerzian “root metaphor” of creole culture. As for New Orleans in the Treme, music makes the narrative structure not just multilinear but rhizomatic. Moreover, spontaneity and hybridity highlight dialogicity and poliphony as well as a strong ironic and subversive capacity concerning music and creole culture. On a narratological level, analysing the critical representation of social problems after the destruction of Hurricane Kathrina raises the problems of focalization and narratorial distance