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nr 1-2
41-71
EN
Based on the content analysis of the Latin panegyrics Deplua Charitatum Aurora composed by Sebastian Glavinić, the Bishop of Sejn-Modruć, on the wedding of the Emperor Leopold I. and Margarita Theresa of Spain in 1666, this study aims to reconstruct the world of thoughts of its author and to demostrate how he reacted in his piece of work on the wedding ceremony itself. Inspired by the theoretical concept of symbolical communication, the author of the study tries to reconstruct the images of the Emperor Leopold I. and Margarita Theresa of Spain in the symbolical language of the above mentioned panegyrics. By using a wide range of metaphorical expressions and allegories its author celebrated the marriage and both the newly-wed people. Glavnićʼs allegories and metaphors are inspired by the biblical tradition and by the Ancient heritage of the Greek and Roman mythology which the poet had set in the current political and cultural contexts of his time.
EN
The study offers so far neglected view of the entry of Archduchess Eleanor Maria on the territory of the Polish-Lithuanian Commonwealth at the beginning of year 1670 and of the wedding ceremony that took place on occasion of her wedding with Michał Korybut Wiśniowiecki. Based on the theoretical concept of the symbolic communication the study tries to focus on the distribution of symbols, rituals, mindsets and values in the communication space of the royal entries and wedding ceremonies as occasions for displaying the Emperor´s authority, legitimacy and for better understanding of structures of the Early Modern society. The entry of the Emperess-widow Maria Eleanor Gonzaga accompanied by her daughters into Czenstochowa, Michał Korybut Wiśniowiecki´s with his spouse into Warsaw and the wedding ceremonies carried a rich communicative and meaningful context.
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