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Dżuma w Italii. O zapomnianym traktacie Della peste Angela Antonia Frari

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Karwacka-Pastor D.

tom 21

321-334

Angelo Antonio Frari, a 19th century doctor and writer, devoted his life to studying the plague. In his treaty entitled Della peste published in Venice in 1840, he presented the history of the plague pandemic, describing its symptoms and ways of curing throughout centuries. His work is not only a medical, anthropological, and ethical treaty, but also an account of events seen by a witness, who, having recovered from the plague, became involved in fighting with this disease in Italy and abroad. The author of the treaty delves into pondering on human nature, morality, and choices, and he presents various attitudes in the light of the epidemic. This work is also a source of information on how 19th century healthcare used to work and contains tips on how to avoid catching the disease. The subject matter of the treaty is still up to date, since the last word of this disease has not been said yet and it continues to be a threat to the human race.

Tropiąc fakty. „Parweniusz z rodowodem” Jarosława Górskiego

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Karwacka-Pastor D.

nr 18

Parweniusz z rodowodem to biografia najpopularniejszego pisarza dwudziestolecia międzywojennego, Tadeusza Dołęgi-Mostowicza. Jarosław Górski rozprawia się z czarną legendą pisarza, z plotkami i sensacyjnymi pogłoskami krążącymi latami na temat życia Mostowicza, które – jak udowadnia biograf – nie miały potwierdzenia w faktach. Górski dogłębnie weryfikuje ogromny materiał źródłowy i ukazuje postać pisarza w nowy, zaskakujący sposób. Jest to świeże spojrzenie nie tylko na życie, ale i twórczość Mostowicza.

Parweniusz z rodowodem [A Parvenu with a Pedigree] is a biography of Tadeusz Dołęga-Mostowicz, the most popular Polish writer of the interwar period. Jarosław Górski deals with the black legend of the writer, rumours and sensational hearsay about his life, which has been spread for years and which, as the biographer proves, has not been confirmed by facts. Górski carries out a thorough verification of vast source material and shows the writer’s figure in a new, surprising way. His study provides a fresh insight not only into Mostowicz’s life, but also into his art.