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Wykaz przedmiotów z kościoła jezuitów w Połocku przetransportowanych w 1843 r. na zamek warszawski

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Morawski K.

Hereditas Monasteriorum

2013

tom 3

337-346

Under tsar Alexander I’s ukase of 13 March 1820, all members of the Jesuit order were forced to leave the territory of the Imperial Russia. Following this decision, the abandoned Jesuit church in Polotsk was taken over by the Piarists, and 20 years later it was transformed into an Orthodox temple. This conversion caused the equipment to be removed and transported to he former Royal Castle in Warsaw. The current source edition presents a list of objects from the Jesuit church in Polotsk drawn up in 1843, after they had been transported to Warsaw. The index comprises the information on the appearance, value, and number of the removed items which altogether constituted the entire decoration of the church. Among them one could find both altar paintings, as well as smaller objects, such as pieces of the so-called chalice linen. The document signed by the castle’s steward Leopold Gimbutt can be an important source for the research on the history of the Polotsk temple founded the Society of Jesus. Supplemented with the data from a 1855 inventory, included in the same card-board-bound unit, it may serve as an important contribution to the study of the subsequent fate of the pieces of the equipment from the Polotsk church. The list belongs to the collection of the Central Archives of Historical Records in Warsaw, fond Castle Steward, no. 57, Castle Steward’s Records Concerning Objects Left by the Polotsk Jesuits.

Czy może istnieć świat rzeczy bez rzeczy? Problem badania inwentarzy dóbr w historii sztuki

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Morawski K.

Artium Quaestiones

2018

nr 29

187-208

The paper addresses a problem which traditional art history has thus far ignored, i.e. the examination of items listed in inventories of property. Art historians usually approach concrete works of art to textualize them, while they are helpless confronting items “hidden” behind a text. In the context of the “materiality turn,” inventories reveal their paradoxical character since they include “personal” information about individual objects. If one assumes that the inventory is an instrument used to examine the objects listed in it, one must also realize a basic paradox of approaching them via their purely textual representation. A growing interest of art historians in publishing historical sources, in particular inventories, should result in more reflection on the role assigned to texts and things by historiography. To answer the question how items listed in inventories are available to their readers, the author has made references to cognitive linguistics and epistemology, critiques of historical narrativism, and poststructuralism. Such a comprehensive frame of reference made it possible to analyze some problems of the theory of historical source analysis and the editing and publishing of source texts. A comparison of art history and history of material culture resulted in defining the expectations and limitations related to the study of property inventories conducted by both disciplines. The experience of object analysis, which is a key prerequisite of interpretation, has been described in reference to three cognitive terms: concepts, exemplars, and invariants. The scholar trying to use all the available sources to reach the object itself must take advantage of all his/her experience. Analysis is possible only in a context, while the meaning of concepts, i.e. brief entries about individual items, can be discovered only in a complex system of semiotic reference. Apparently, such analysis can never be objective.