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EN
This study deals with individual aspects and problems of research on the Masses by Antonio Caldara with source materials held in Prague. Representing the basic material are two copies from the collection of the Knights of the Cross with the Red Star along with concordant sources amassed from Czech and foreign archives. The effectiveness of the standard methods used for studying musical sources is put to the test on a selected sampling of material. The comparison of individual copies helps answer questions not only about provenience or filial relationships between materials, but also about period performance practice. The goal of the study is to make at least a partial contribution towards systematic research on the musical life of Prague in the first half of the 18th century, when Caldara’s Masses were significantly represented in church music collections.
2
Content available remote Osudy osobního archivu Otakara Hostinského
63%
|
2010
|
tom 47
|
nr 2-3
273-284
EN
At present we do not have available any complete and thorough discussion of the fates, distribution, and condition of written materials from the estate of the Czech aesthetician and musicologist Otakar Hostinský (1847–1910), despite his undeniable importance for Czech culture. The present study offers the results of research in this area. The administrator of Hostinský’s papers after his death was Zdeněk Nejedlý, who divided them into several parts which were then deposited in various institutions according to their expected future usage. The more precious materials remained and still remain in the ownership of Hostinský’s family. Using information acquired through study in archives and from the families of Hostinský’s descendents, it has been possible to assemble a stemma showing the institutional distribution of Hostinský’s papers. The present article should help future researchers in use of sources for study of Hostinský’s life and work.
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