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Polish cities as a space of history in Boris Khersonsky’s Family archive

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Vorontsova K.

nr 1

55-70

This article is focused on the so-called urban texts related to Poland with a special emphasis on the historical and geographical region of Galicia, which covers the territories of Red Ruthenia in Ukraine and Lesser Poland, and on their historical connotations as presented in Boris Khersonsky’s book of poetry Family archive (2006). Khersonsky is a Russian-speaking Ukrainian poet from Odesa, who has been awarded prestigious prizes for his literary work both in Ukraine and abroad. Family archive can be described as a sort of novel in verse about the tragic history of the 20th century told through the family history of the author himself. The main goal of this article is to analyze the specific spatial structure of the book in the context of geopoetics and places of memory with a special accent on Polish cities and towns. This territory is the quintessential locus of historical events connected to Eastern European Jewish heritage and the tragedy of the Holocaust. This paper seeks to reconstruct the image of Poland with all the connotations and cultural myths associated with its multicultural experience.

Images of Migrants in Alice Munro's Short Stories: Dialogue Between Cultures

100%

Vorontsova K.

Forum for Contemporary Issues in Language and Literature

2020

nr 1

4-13

This paper focuses on the issues of the mediating role of English language and specific accents in the process of communication between Canadians and migrants from Europe. The author uses methods of close reading to reveal a variety of specific social patterns illustrating different levels of interpersonal attitudes in dialogues with migrants on the material of short stories from the collection Runaway (2004) by Alice Munro. While depicting Aliens, the writer utilises speech characterization as one of the most important artistic tools. Furthermore, in the short stories by Alice Munro, an attitude to people who speak differently becomes a “litmus paper” to portray the decaying intellectual life of the New World.