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VIZUÁLNA KOMPOZÍCIA FARIEB AKO ESTETICKÁ KVALITA FILMU

100%

Mergeš J.

ESPES

2015

tom 4

nr 2

47 – 59

The paper deals with the visual composition of colour and its applying to the art of cinema, highlighting the importance of colour as an element in the mise-en-scène of a cinematographic work. Despite the fact that we live in a world composed of colours and perceive them in an active way, the colour as an aesthetic means of the film is not often taken as object of interest. It is mainly caused by secondary nature of colours perception of the cinematographic work at the expense of the picture as a whole. The colour generally acts in the film realistically, and therefore rarely comes to the fore. A closer look at its function in mise-en-scène and narratives proves that the motivation of choosing colours in the film is clearly identified as conditional. This paper attempts to identify and summarize the typology of the above outlined motivations.

ESEJ O FARBÁCH A (NE)FARBÁCH VO FILME

100%

Mergeš J.

2014

tom 3

nr 1

26 – 32

The essay is trying to debate about aspects of the perception in relations between black and white and colour film, as opposed two approaches to the art of cinema. The leitmotif of this paper is finding the fundamental nature and authenticity of the film arts through the history of the transition from black and white to colour film, and with respect to the whole society determinants influencing this process. From the professional point of view essay charts the basic functions of colour in the film and highlights their importance for active perception of cinematographic work.