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3 2014

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Чеховский контекст драмы Таня-Таня Оли Мухиной

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Pieczyński M. , Uniwersytet Szczeciński W. F.

Acta Universitatis Lodziensis. Folia Litteraria Rossica

2014

tom 07

Contemporary Russian drama enters into a dialogue with literary tradition and in particular with the dramatic one. The works of the classics of modernism, including Anton Chekhov, very often become actualized in recent dramatic texts. For instance, "Tanya-Tanya" by Olga Mukhina refers to the artistic features of Chekhov’s ‘major plays’ and thus, in Natalya Fateyeva’s theoretical framework and terminology, Chekhov becomes a pre-text for Mukhina’s text. The general purpose of the paper is an intertextual analysis and interpretation of the latter play.

Na marginesie edycji Baldego

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Pieczyński M.

Tematy i Konteksty

2014

nr 4(9)

460-467

Two early modern Polish translations of Poema de vanitate mundi by Jakob Balde edited by Maria Kozłowska is an important publication from the perspective of research into Baroque religious poetry, especially the Saxon times. The popularity of Balde’s poem in late Baroque can be seen not only in its subsequent editions, but also in the references to it in the works of the contemporary religious poets, including Dominik Rudnicki and Karol Mikołaj Juniewicz. In the introduction to this edition the author presents Balde as a Jesuit poet, who subordinates his writing to didactic and moralistic objectives, but at the same time strives to engage the reader’s senses, following the principles of Ignatian meditation.

Roman Krzywy, Poezja staropolska wobec genologii retorycznej. Wprowadzenie do problematyki, Warszawa 2014 [recenzja]

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Pieczyński M.

Res Rhetorica

2014

tom 1

nr 1

89-96