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Religious Conflicts and Their Impact on King Arthur’s Reign in Marion Zimmer Bradley’s The Mists of Avalon

100%

Łaszkiewicz W.

Acta Neophilologica

2017

tom XIX/2

133-143

The aim of the following paper is to examine the conflict between the cult of the Mother Goddess and Christianity, which affects King Arthur’s reign in Marion Zimmer Bradley’s original retelling of Arthurian legends – The Mists of Avalon (1983). The religious conflict presented in the novel is inextricably linked with representations of femininity and the figures of Morgaine (Morgan le Fay) and Queen Gwenhwyfar, who are dedicated, respectively, to Avalon and the Church. By investigating both women’s beliefs, actions, and relationship with Arthur, this paper will demonstrate how in Bradley’s retelling the transition from the worship of the Goddess to Christianity conditions King Arthur’s reign and ultimately contributes to his downfall.

Jack London: a writing sailor, a sailing writer

100%

Łaszkiewicz W.

tom 6

The following paper analyzes how the experience of sailing shaped Jack London’s life and works. On the one hand, the paper recounts those events from the writer’s biography which contributed to his emotional attachment to the sea and created a realistic background for his texts. On the other hand, it focuses on a selection of London’s works—“Typhoon Off the Coast of Japan”, “Chris Farrington: Able Seaman”, The Sea-Wolf, and Martin Eden—in order to investigate how the experience of sea and sailing affects a character’s morality/personality, and to examine how the chosen narratives reflect and preserve London’s own memories of life on board.

J.R.R. Tolkien’s Portrayal of Femininity and Its Transformations in Subsequent Adaptations

100%

Łaszkiewicz W.

tom 11

The aim of the following paper is to examine the portrayal of female characters and femininity in J.R.R. Tolkien’s The Hobbit and The Lord of the Rings. Since Tolkien’s heroines have been both praised and severely criticized, this paper will, first of all, investigate and recapitulate the arguments in favor and against Tolkien’s depiction of women. Secondly, it will be argued that the ambiguity surrounding these fictional characters stems from the writer’s private relationship with women. Finally, the paper will analyze how Tolkien’s ambiguous female characters have fared in various adaptations of his works, particularly in the cinematic versions produced by Peter Jackson and in fan-made art.