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EN
The article examines performances of the Cuban-born artist Coco Fusco, who in her interdisciplinary projects raises issues related to national, ethnic, gender and genre identity. In a series of performances entitled Observations of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist from 2013, Fusco, inspired by the history of the Planet of the Apes film series and the latest research in primacy, takes on the role of Dr. Zira to teach anthropology from a non-human perspective, as a chimpanzee.
EN
The article examines the work of the French performance artist ORLAN in the context of contemporary artistic projects operating on the margins of art and biology. Transforming herself into a unique object/subject of public debate, always in opposition to something or between something — classic perception of beauty in Western European culture, transhumanism, eugenics, plastic surgery — ORLAN is presented here as a prophetic visionary, whose projects, consistently moving from performance to bioart, herald a new direction in the development of art.
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EN
The article presents a group of selected projects form the field of bio-art, performance, and new media art. The symbolism of blood has been included to show the relationship between biology, identity, and technology. An analysis carried out by the author has resulted in a dilemma, whether these experiments create a symbolic gesture of crossing the boundaries of what is thought of as humane and in-humane, or are they a manifestation of fears connected with subconscious longing for anthropocentrism. Main points of reference for creative activity presented in the article are bio-power, bio-resistance and identity.
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