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K interpretaci vybraných literárních děl Franza Kafky a Jeana-Paula Sartra

100%

Zábranský L.

Bohemistyka

2012

tom 12

nr 4

249-266

In this essay the author focuses on the issue of space design in literary works and its diversity. The author interprets and compares particularly the motives found in the works of F. Kafka (Metamorphosis, The Trial) and J. P. Sartre (No Exit, The Wall) trying to capture the points of contact and fundamental differences. In the play No Exit the author explains not only the specific work with space, but also with the time dimension. During the interpretation the author essentially refers to the philosophical, psychological and anthropological relations.

K metaforám v Babičce po pitvě z hlediska kognitivní lingvistiky

100%

Zábranský L.

Slavia Occidentalis

2013

nr 70/1

147-166

The author examined metaphorical concepts in this Czech parody of the famous work by Božena Němcová (The Grandmother). Based on excerpts, an analysis of metaphorical concepts was conducted. Whenever possible, the author took etymology into account during the research. „Babička po pitvě” (BPP) is a parody, as indicated already by its very title. Assurance comes with the finding of a mirrored condensed morphology of BPP with respect to the original. Both BPP and The Grandmother contain 18 chapters and four identical plot lines. To parody the original, Hynek uses formal sentence structures, simple syntax prevails, often exacerbated to the extreme, thus giving a simplified and scholarly limited impression. The characters in BPP are exposed as: ethnocentric, naive, limited, religious, belonging to a foreign language affiliation, vulgar, capricious, altruistic, sexually unsatisfied or only temporarily satisfied. The image of the world in Staré bělidlo (Old BleachingGround) is: prejudiced, superstitious, anthropocentric, subjective, superficial, limited, firmly grounded in the natural cycle and traditions associated with it. Procedures and traditional findings of cognitive linguistics/ language picture of the world have been positively verified. The morbid, Erotic, socially incorrect, cynical, dissonant as well as poetic and gentle satire of BPP thus represents an eccentric and rich foam of comedy, however, under its thick surface we find more serious content, raising social, moral and value issues; using parody, BPP thus fundamentally challenges the traditional values demonstrated in The Grandmother.

KE STAROSLOVĚNSKÝM KOMPOZITŮM BEZ ŘECKÉHO PROTĚJŠKU

100%

Zábranský L.

2013

tom 48

nr 1

52 - 60

In this study the author examines the issue of Old Slavonic compounds, which do not have formal Greek parallels. Using selected lexemes from canonical and Czech Church Slavonic works, the author analyses the likely reasons for this phenomenon. Since the beginning of the formation of the literary Slavonic language, the attention was paid to the most precise translation of the Greek text and consequently the dependence on the Greek model is substantial. In addition to the Greek influence on the emergence of Old Church Slavonic compounds, the limited number of Latin and Old High German paradigms also needs to be considered.