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Lustra greckie. Studium form oparte na obiektach z kolekcji Eduarda Schauberta

100%

Kubala A.

nr 2(36)

3-19

The article aims at discussing mirrors manufactured in ancient Greece, which is based on analysis of the preserved items from the collection of Eduard Schaubert, a Wroclaw architect and a collector of antiquities. The ancient Greeks used three sorts of mirrors made almost exclusively of bronze. The oldest and the most frequently used type, in operation since the Mycenaean period, was a hand mirror with a simple holder and a disc polished on one side so finely that it was capable of reflecting images, and on the other side decorated with engraved or relief, mythological or genre scenes. The real masterpieces of Greek small-sized metal sculpture were standing mirrors, also called caryatid mirrors, which appeared at the beginning of the 6th century BC. Similarly as hand mirrors, they used to have a disc polished on one side, with a support in form of a female figure standing on the base of various shapes. The caryatid mirror disc edges were often decorated with little figures of animals, birds and fantastic creatures. Such animal or mythological figures were also placed between a disc and caryatid’s arms. Standing mirrors were luxurious products, marked with high artistic quality, manufactured within a limited area, and in a short period only. Their production was stopped at the end of the 5th century BC, when they were replaced with box mirrors, manufactured mainly in the 4th and 3rd centuries BC. They were made of two perfectly matched discs joined with hinges, of which discs the lower one, finely polished, used to serve as a proper mirror, and the upper one, decorated with reliefs, was a cover protecting the mirror surface. All three sorts of Greek mirrors, preserved completely or partially only, are represented in the collection of The National Museum in Warsaw. We owe these to the Wroclaw architect and his deep interest in the art of ancient Greece.

A Faience Aryballos in the Collection of the University Museum at Wroclaw

100%

Kubala A.

tom 21

77-87

In the collection of the University Museum of Wroclaw is a spherical faience aryballos of unknown provenance. It belongs to a group of vessels which enjoyed widespread popularity over a vast area of the Mediterranean in the 6th century BC. The analysis clearly shows that the spherical faience aryballos at the University Museum of Wroclaw should be classified within section 3 of V. Webb’s classification, that containing the most common and crudest type of faience aryballos. Aryballoi classified within this section were made, judging from their distribution, partly or mainly at Naukratis and they belong in date to the second part of the 6th century. It is likely that the Wroclaw aryballos is the product of an Egyptian workshop, perhaps of that located at Naukratis. An Eastern Greek workshop cannot be ruled out either.