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Poezje i pieśni okresu Risorgimenta w polskich przekładach

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Gurgul M.

nr 3

65-84

The article aims to present the reception of Italian poetry in the Polish press and the anthologies from the 1830. to the 1920. It focuses on the subject and local importance of the compositions, the chronology and the fortune of their Polish diffusion, as well as highlights the figures of the translators within the wider context of their creative work, patriotic background and their links to Italian culture.

La guerra d’Etiopia nei reportage di Aleksander Janta-Połczyński

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Gurgul M.

nr 14.2

97-119

L’articolo è dedicato a una serie di reportage di guerra dall’Etiopia pubblicati a cavallo tra il 1935 e il 1936 su uno dei più importanti quotidiani polacchi, “Gazeta Polska”. Sebbene l’autore sia stato uno dei reporter polacchi più prolifici e apprezzati, il testo non è mai stato pubblicato in forma di libro per vari motivi. Non solo per questo merita di essere ricordato, anche perché si distingue dagli altri reportage polacchi di questa guerra. L’autore ebbe l’opportunità di partecipare agli eventi da entrambe le parti del conflitto, il che arricchì la sua percezione della realtà descritta e portò all’evoluzione delle sue opinioni dall’obiettività a chiare simpatie filo-italiane.

The article is dedicated to a series of war reports from Ethiopia published between 1935 and 1936 in one of the most important Polish newspapers, Gazeta Polska. Although the author was one of the most prolific and respected Polish reporters, his text was never published in book form for various reasons. However, it deserves to be remembered, not least because it stands out from other Polish reports of this war. The author had the opportunity to participate in the events of both sides of the conflict, which enriched his perception of the reality described and led to the evolution of his opinions from objectivity to clear pro-Italian sympathies.

Un viaggio futurista in cerca dell’assoluto. Vulcano di F.T. Marinetti

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Gurgul M.

Italian futurists, eulogists of movement and velocity, avail themselves of the theme of travel, which frequently becomes a travel towards the Absolute and is based on such philosophical foundations as Bergsonism and occultism. This topic also appears a few times in Marinetti’s dramaturgy. His protagonists always begin their journey hoping that it will bring them closer to the stars, but inevitably fail to achieve their target. Marinetti’s drama Vulcano, analyzed in this paper, is both a rich source of futurist leitmotifs associated with the spiritual ascent and an interesting example of the unexpected pessimism of the founder of that bellicose movement.