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4 Romanica Silesiana

4 Szkonter-Bochniak A.

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Catherine Khordoc : « Tours et détours : Le mythe de Babel dans la littérature contemporaine » Les Presses de l’Université d’Ottawa, 2012, ISBN 978-2-7603-0778-0

100%

Szkonter-Bochniak A.

2012

tom 7

Eileen Lohka, “La femme, cette inconnue Isle de France, terre des hommes”, L’Atelier d’écriture, La Pelouse, Trou d’Eau Douce, Île Maurice 2013, ISBN 978‑99949‑0‑041‑1

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Szkonter-Bochniak A.

2015

tom 10

La quête identitaire dans l’œuvre romanesque d’Ananda Devi

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Szkonter-Bochniak A.

2015

tom 10

This article examines three novels by Ananda Devi, a well‑known francophone novelist from Mauritius, the author of many novels, short stories and poetry books. In her novels, theauthor portrays the lives of women, the roles and norms that have been imposed on them, as well as their place in the conservative and patriarchal society in Mauritius and in India. The protagonists of Pagli, Le Voile de Draupadi and Indian tango, whilst searching for their identity, rebel against the society, their families and religion which marginalise them and deny their right to make decisions about their own lives. The protagonists of Devi’s novels by objecting to such a lifestyle, by violating the social norms and breaching bans, discover their identity. Pagli symbolically rediscovers her true name, Anjali freedom and Subhadra her body/sexuality. Key words: Ananda Devi, francophone novel, woman, identity, freedom, violation of social, religious and moral norms

Différentes sources d’inspiration dans l’oeuvre romanesque d’Ananda Devi

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Szkonter-Bochniak A.

Romanica Silesiana

2022

tom 21

nr 1

1-15

In the article the author analyses various sources of inspiration noticeable in the works of Ananda Devi. Considering the writer’s background, her native island of Mauritius, a multi-ethnic multi-lingual and multi-cultural island, various cultural inspirations are noticeable in her works. The author of this article focuses on the novelist’s prose and analyses the cultural references rooted in Indian, European, African and Creole cultures. The aim of this analysis is also to describe the intertextual relations that exist between some of Ananda Devi’s texts and the works of Jean-Marie Gustave Le Clézio, Tahar Ben Jelloun, Arthur Rimbaud or Malcolm de Chazal, T. S. Eliot, Toni Morrison and J. M. Coetzee. In the analysis, the author draws on the research of Homi Bhabha and Gérard Genette.