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2 Slovenská literatúra (Slovak Literature)

2 Bilińska I.

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SLOVANSKÉ NEBO – IDYLA V HURBANOVOM DIELE SLOVENSKO A JEHO ŽIVOT LITERÁRNY

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Bilińska I.

Slovenská literatúra (Slovak Literature)

2018

tom 65

nr 1

1 - 14

The paper focuses on tracking the idyllic topoi in historiosophical work by Jozef Miloslav Hurban Slovensko a jeho život literárny /Slovakia and its Literary Life/, in which Slovak literary science emphasized the idea of continuity of the development of Slovak culture and literature. The deconstruction of the idyllic topoi shows that it is the idyll that is the important part of the ideological construction of Hurban´s work. The idyllic topoi in connection with mystification of the past enabled him to create the idea of continuity between the present times and the Great Moravian cultural legacy. The idyllic codes can be found in Hurban´s depiction of the Slovak territory, Slovak nation, and its cultural evolution. The ethic and aesthetic values of the idyll became the base of Slovaks´ created collective identity. The idyllic language is part of the Romantic national myths, especially the myth of folksiness, the Great Moravian myth and the myth of the thousand-year-old yoke. Hurban´s idea of continuity of national culture, the connection between the „cradle of Slavs“ and the writer´s present times, and especially the utopia of Slavic future in the form of „Slavic heaven“ is based on idyllic topoi and Slovak Romantic myths.

SLÁDKOVIČ DNES

100%

Bilińska I.

Slovenská literatúra (Slovak Literature)

2021

tom 68

nr 2

93 – 96

The poet, translator, literary critic and protestant priest Andrej Sládkovič (1820 – 1872) is generally considered a foremost poet of the Romantic generation. He authored two key works of Slovak literary Romanticism, Marína (1846) and Detvan (1853) – long poems that have significantly influenced further development of literature written in Slovak. There are two basic positions from which literary history views his oeuvre. These are based on the divided standpoints from which the whole period of Slovak literary Romanticism is viewed. Academics either see it as a single, undivided, conservative and nation-centred unit or as a polyphonic and progressive movement open to other European literatures. Advocates of the former opinion interpret Sládkovič’s works as a part of national literary history the aim of which is the assertion of folk national identity. The opposing group of scholars emphasises the unique qualities of Sládkovič’s poetry and positions it within wider philosophical and aesthetic contexts of the 19th century European culture. From this point of view, developmental interferences of Slovak Romantic literature are seen as a dynamic part of multifaceted processes of the given period.