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Sudeckie linie życia. O »Grandhotelu« Jaroslava Rudiša

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Kaczmarek M.

Bohemistyka

2012

tom 12

nr 4

289-301

The novel Grandhotel is a work by Jaroslav Rudiš, the Czech writer of young generation. The main protagonist of the novel is Fleischman, whose portrait, together with other characters, is presented against the historical background of twentieth-century Liberec and the Sudeten Mountains. By describing Fleischman’s complicated personality and identity, Rudiš attempts to evaluate social spirit of contemporary Czechs. Out of the novel Grandhotel two main dimensions emerge: the first is existential and presents individuals who with their complicated “life lines” and personal dramas look for their own place in the world; the second presents a community in the historical, social and cultural context. In addition, the latter dimension is filled with complicated twentieth-century stories and relations between two nations living in the Sudeten Mountains: the Czechs and the Germans. The twentieth-century world created by Rudiš in the novel does not imply optimism, but it is not deprived of humor and irony, either.

Retoryka pamięci (z problemów mnemologii Vincenza)

100%

Kaczmarek M.

Przestrzenie Teorii

2007

nr 7

75-96

This article focuses on rhetoric of memory in Stanisław Vincenz's novel-cycle Na wysokiej połoninie, which, along with narratology, genology and other related issues, constitutes part of Vincenz's multi-aspect mnemology. The discussion on rhetoric of memory, as the art of expression (oral and written) marked mnemically and contributing to prose of memory, centers on certain sets defining linguistic, stylistic, rhetorical and mnemotechnical means, appearing in the form of words, phrases, metaphors, idioms, and other compositional and textual ways of expression etc., which are linked semantically, etymologically, metaphorically or functionally with the fundamental lexeme, i.e. "memory". The memory category inscribed in the Vincenz work is first of all viewed here in terms of style and linguistics taking mainly into account the issues concerning memory metaphors as primary figures in rhetoric of memory. Moreover, the problems of intertextual memory are outlined therein.