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„Międzyświaty”, zaułki i przestworza. Oniryczna proza Damira Miloša — Nabukodonozor i Otok snova

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Szperlik E.

Slavica Wratislaviensia

2012

tom 155

79-90

The poetics of Miloš’ prose is characterized by the abundance of blurred and hazy images suspended between wakefulness and sleep. The location of the stories remains undetermined, while the prose is permeated with the recollections of the narrative subject, his erotic phantasms rooted in the subconscious, the hypnagogic imagery, polyphony, the multiplicity of voices and transitions between sexes (woman/man). The main themes of both novels include: death and the transitory nature of life, self-destruction of the individual in the postmodern world shattered by the Balkan War, the condition of the individual portrayed as adreamer restraining his neurosis, as well as the concepts of utopia, power and the manipulation of the individual. Seeking refuge from the world, the characters of Nabuchodonozor and The Island of Dreams sink in their dream visions, striving to grasp the mystery of their existence and to provide answers to their questions. The struggle consecutive thresholds of consciousness — the process for which C.G. Jung coined the name of individuation to mean mental metamorphosis and gradual rebirth.

Zapiski z „Miasta Umarłych”. Obóz koncentracyjny Jasenovac i Stara Gradiška w literackich narracjach tanatologicznych i dyskursie pamięci obszaru postjugosłowianskiego

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Szperlik E.

tom 168

507-520

Notes from “the city of the dead”: Jasenovac and Stara Gradiška concentration camps in thanatological narratives and in the memory discourse of the post-Yugoslav area This paper discusses selected Holocaust narratives of the post-Yugoslav area, which were set in the history of (Hitler’s) Europe due to the establishment of the pro-Nazi Pavelić regime (The Independent State of Croatia). They were also set in the context of the concealment policy, when both places and events related to concentration camps, Jasenovac and Stara Gradiška, were ousted from collective memory by the authorities of communist Yugoslavia. Concentration camp memoirs and records — auto(thanato)graphies (J. Derrida, A. Ubertowska) — reflecting on the post-Yugoslav area of Tito’s epoch had been a tabooed realm of unsolicited truths (S. Buryła) for a few decades due to political reasons and have recently been reintroduced into official discourse of memory. They also address the questions of the end of Western civilisation, the topos of the concentration camp as the territory of the reign of death and struggle for survival. The five selected thanatological testimonies present the Holocaust and the nightmare of World War II as an essential part of reflection on the human condition (H. Arendt) and they also show the phenomenon of collective trauma (D. LaCapra).

Bilješke iz „Grada Mrtvih”. Konclogor Jasenovac i Stara Gradiška u književnim tanatološkim naracijama i u diskursu kolektivnog pamćenja na području bivše Jugoslavije Predmet razmatranja u ovom tekstu su odabrani autobiografski zapisi o Holokaustu sa područja bivše Jugoslavije, stavljene u vizuru povijesti (hitlerove) Europe povodom osnivanja režima Ante Pavelića kakva je bila NDH. Istodobno vrlo je važan u ovoj analizi kontekst politike prešućivanja te brisanja iz kolektivnog pamćenja mjesta i dogaᵭaja vezanih uz logore smrti: Jasenovac i Stara Gradiška koje su vlasti komunističke Jugoslavije nakon II svjestkog rata uspješno poricale. Vraćene u zadnje vrijeme javnom pamćenju sjećanja i uspomene na logor – „auto(tanato)grafije (J. Derrida, A. Ubertowska) – bile su nekoliko decenija prešućivane ili od javnosti skrivane u Titovoj državi te zbog političkih razloga spadale su u zonu nepoželjnih istina (S. Buryła). Zabilježena vlastita sjećanja na konclogora – kasnije proskribiranih autora/svjedoka – bave se univerzalnom temom smrti, rušenja civilizacije zapadnog kruga, konclogora kao područja svevladajuće smrti, istrebljivanja i životnjske borbe za preživljavanje zatočenika. Pet odabranih logorskih testimonija prikazuje traumu II svjestkog rata (D. LaCapra) te govori o stanju čovječanstva u postratnom razdoblju (H. Arendt).

Od socjalizmu do transformacji, czyli o chorwackiej kulturze i literaturze popularnej ostatnich pięciu dekad

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Szperlik E.

nr 5

349-354