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2 Folia Praehistorica Posnaniensia

2 Markiewicz M.

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Ceramika malowana z wczesnej epoki żelaza vs. nowożytna ceramika biała. Rozważania o magii i o „odczarowaniu świata”

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Markiewicz M.

tom 27

103-130

The article contrasts two chronologically distinct groups of artifacts: painted ceramics from the Hallstatt period and the so-called white ceramics, produced until the end of modernity. They are related by means of the technique of covering a bright surface with colorful patterns and the stylistic similarity of certain geometric motifs. However, the ideas behind creating these pictorial representations were completely different. In the article, painted vessels from the Hallstatt period and modernity will be the starting point for detailed studies on magical and rational thinking about the world. It was in the Renaissance that, according to the concept of the sociologist and philosopher Max Weber (1864‒1920), a “disenchantment of the world”, took place ‒ e.g. the departure from the magical understanding of reality. Early Iron Age and Modernity ceramics will illustrate this process.

„Takie jak w rzeczywistości”. Obraz fotograficzny - obiektywne odwzorowanie czy subiektywna kreacja? Fotografia w badaniach archeologicznych

100%

Markiewicz M.

Folia Praehistorica Posnaniensia

2023

tom 28

207-230

The article reviews the current state of knowledge on photography and the use of photographs in archaeological research. The discovery of photography was a breakthrough in the history of archaeology. The mechanical method of image registration, considered to be devoid of subjective human intervention, was supposed to guarantee the neutrality and objectivity of the visual representation. Belief in realism of photography has led to it becoming the primary form of documentation in archaeology, for boththe research process and the relics themselves. This article will attempt to answer the question of whether we can trust the reality captured by the photographer? The reading of a photograph is done through culturally shaped codes. The ability to decipher those codes depends on the knowledge and experience of the recipient. The photographic image relies on the photographer’s subjective view of the subject, as well as the medium used, which influences the nature of the representation.