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In the oeuvre of artist and designer Jan Kubasiewicz, a central theme is the precariousness of the concept of spaces. In a studio practice that encompasses gallery, classroom, and auditorium, Kubasiewicz interrogates perception, particularly as it becomes mediated by photography and film. Inspired by Czech philosopher Vilém Flusser, Kubasiewicz’ central concerns are connected to apparatuses (such as the camera) and the way they alter perception. In series such as „metaGeometry” (2008), „Panorama” (2009), and „Objects in Motion” (2016), Kubasiewicz explores how the self-assuredness of human perception is tested, as the apparatus gains autonomy and runs its program. Through his practice, Kubasiewicz models a behavior of cultural production for those conducting art and design research in the space of computer-human interaction.
Słowa kluczowe
Czasopismo
Rocznik
Numer
Strony
40-49
Opis fizyczny
Daty
wydano
2020
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autor
Bibliografia
- Flusser V., Towards a Philosophy of Photography, Reaktion Books, London 2013.
- Krauss R., Photography’s Discursive Spaces: Landscape/View, ”Art Journal”, Vol. 42, No. 4, 1982, ss. 311–319, College Art AssociationStable, [online] https://eportfolios.macaulay.cuny.edu/ lklichfall13t/files/2013/09/Krauss.pdf [dostęp: 11.05.2020].
- Kubasiewicz J., metaGeometry, Academia Humanistyczno-Ekonomiczna, Łódź 2008.
- Kubasiewicz J., Objects in Motion, bookidea, Warsaw 2016.
- Lenk K., Cienie od Jana, [w:] Tegoż, Krótkie teksty o sztuce projektowania, słowo/obraz terytoria, Gdańsk 2011, s. 47–50.
- Lenk K., “Shadows from Jan”, The Works of Jan Kubasiewicz: On Geometry and Jazz. Metafora Books. [b.m.r.].
Typ dokumentu
Bibliografia
Identyfikatory
Biblioteka Nauki
2096171
Identyfikator YADDA
bwmeta1.element.ojs-issn-2657-652X-year-2020-issue-3-article-aba30405-d193-36cb-b3ca-2932afa45e11