Śladami japońskiej sztuki włókna i jej twórców

• Autorzy: Hiroko Watanabe

Abstrakty

EN

The movement for the renewal of fiber art, which began in Switzerland, Lausanne, on the initiative of Jean Lurçat and Le Corbusier, has widely resonated in the world. Japanese houses, built of wood, have never had such spacious walls or interiors as European buildings. This is the reason why the tradition of weaving decorative tapestries, characteristic of Western buildings, was not born in Japan. However, a native weaving culture developed, which since the Nara period (710-794) has been constantly perfected under the influence of Buddhist philosophy and customary care for the elegance of the outfit. Deeply rooted in this culture, rich traditions of artistic handicraft and textile techniques were therefore a fertile ground for new ideas coming from Lausanne. The fact that the tradition of weaving tapestries in the European style was not developed in Japan meant that the Japanese did not feel obliged to cultivate it. Thus, they boldly went beyond its framework and sought to express their artistic ideas directly through the form given to the fabric.

Słowa kluczowe

PL

tkanina artystyczna; artyści; japonia

• Wydawca: Akademia Sztuk Pięknych im. Władysława Strzemińskiego w Łodzi
• Czasopismo: Powidoki
• Rocznik: 2020
• Numer: 3
• Strony: 58-67

Daty

wydano

2020

Twórcy

autor

Hiroko Watanabe

Identyfikatory

Biblioteka Nauki

2096224