Warianty tytułu
Języki publikacji
Abstrakty
The traditional theme of mimesis as a fundamental factor in art, art theory, and aesthetics has undergone many changes of meaning, ups and downs. The present article traces the development of the idea from the point of view of the understanding and appreciation of natural beauty. An inquiry into the relationship between art and reality, that is, mimesis, and the question of the order, reveals two lines of development and their point of bifurcation in Kant and Hegel. The Hegelian line heads towards structuralism, semiotics, semiology and linguistics, to a reduction of orders into standardized norms and epistemes, where the auto-referentiality of art is accented. The Kantian notion of mimesis as 'imitation', which understands the aesthetic idea of the natural order enables the transcendence of episteme and the presentation of the order in the state of becoming. This approach restores the true nature of art.
Słowa kluczowe
Rocznik
Tom
Numer
Strony
46-51
Opis fizyczny
Rodzaj publikacji
ARTICLE
Twórcy
autor
- V. Zuska, Katedra estetiky, Filozofická fakulta UK, Celetná 20, 116 42 Praha, Czech Republic
Bibliografia
Typ dokumentu
Bibliografia
Identyfikatory
CEJSH db identifier
07CZAAAA02294774
Identyfikator YADDA
bwmeta1.element.f4e0f851-2484-39ea-9cdd-28fe934c4459