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2013 | 6 | 1 | 109-131
Tytuł artykułu

The “Deep Focus Construction” of Selected Characters within Cecil B. DeMille’s The Ten Commandments (1923 & 1956) and Elsewhere

Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
Legendary producer-director Cecil B. DeMille was a progenitor of Paramount Pictures, a seminal cofounder of Hollywood, and the master of the American biblical epic; but whose pioneering achievements and filmic practices still remain grossly unappreciated today. One of his aesthetic trade secrets was the “deep focus construction” of his on-screen characters, that is, the engineering of pertinent correspondences between his characterizations and the actors’ idiosyncratic traits and/or previous roles to deepen the naturalistic resonance of authenticity. A brief review of the critical literature and an examination of selected DeMille films, particularly The Ten Commandments (1923 & 1956), was performed to illustrate this casting principle; utilizing humanist film criticism as the guiding analytical lens. It was concluded that DeMille was a far defter biblical filmmaker than hitherto appreciated. Further research into DeMille Studies is highly warranted, warmly recommended and already long overdue
EN
Cecil B. DeMille, casting principle in film, the Golden Age of Hollywood, “deep focus construction” of characters
Słowa kluczowe
Wydawca
Rocznik
Tom
6
Numer
1
Strony
109-131
Opis fizyczny
Daty
wydano
2013-08-01
online
2014-06-04
Twórcy
Bibliografia
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  • Bazin, André. 1982. The Cinema of Cruelty from Bunuel to Hitchcock. New York: Seaver Books.
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  • Bernheimer, Kathryn. 1998. The 50 Greatest Jewish Movies: A Critic’s Ranking of the Very Best. Secaucus, NJ: Birch Lane Press.
  • Birchard, Robert S. 2004. Cecil B. DeMille’s Hollywood. Lexington: University Press of Kentucky.
  • Bona, Damien. 1996. Starring John Wayne as Genghis Khan. Secaucus, NJ: Citadel Press.
  • Bowers, Ronald. 1982. Male and Female. In Magill’s Survey of Cinema. Silent Films. Volume 2, ed. Frank N. Magill, 689-692. Englewood Cliffs, NJ: Salem Press.
  • Bywater, Tim and Thomas Sobchack. 1989. An Introduction to Film Criticism: Major Critical Approaches to Narrative Film. New York: Longman.
  • Cherchi Usai, Paolo and Lorenzo Codelli, eds. 1991. The DeMille Legacy. Pordenone: Le Giornate del Cinema Muto/Edizioni Biblioteca dell’Immagine.
  • Clapham, Walter C. 1974. The Movie Treasury. Western Movies: The Story of the West on Screen. London: Octopus Books.
  • Cody, Iron Eyes and Collin Perry. 1982. Iron Eyes: My Life as a Hollywood Indian. London: Frederick Muller.
  • DeMille, Cecil B. and Donald Hayne, ed. 1960. The Autobiography of Cecil B. DeMille. London: W. H. Allen.
  • Donnelley, Paul. 2010. Fade to Black: A Book of Film Obituaries. London: Omnibus Press.
  • Druxman, Michael B. 1975. Make it Again, Sam: A Survey of Movie Remakes. South Brunswick: A. S. Barnes.
  • Edwards, Anne. 1988. The DeMilles: An American family. London: Collins.
  • Essoe, Gabe and Raymond Lee. 1970. DeMille: The Man and His Pictures. New York: Castle Books.
Typ dokumentu
Bibliografia
Identyfikatory
Identyfikator YADDA
bwmeta1.element.doi-10_2478_ausfm-2014-0007
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