Warianty tytułu
Języki publikacji
Abstrakty
The article examines how documentary film is transformed when distributed through video sharing web sites. The conspiracy-theoretical production Loose Change (2005, 2006, 2007, and 2009) is used as a case study of how the mediation process connected with net-based distribution affects the materiality of film and alters our conception of both visual evidence and genre. With a point of departure in the media theory of Jay David Bolter and Richard Grusin and their twin concepts of immediacy and hypermediacy it is discussed how the film culture on the internet develops new media institutions and establishes what could be described as “live” archives. A concluding reflection illustrates how this type of film is part of an ongoing media-determined and cultural transformation of the documentary genre, a process that places its historical and political content halfway between fact and fiction
Słowa kluczowe
Wydawca
Rocznik
Tom
Numer
Strony
49-64
Opis fizyczny
Daty
wydano
2013-08-01
online
2014-06-04
Twórcy
autor
- Aarhus University (Denmark), aestpop@hum.au.dk
Bibliografia
- Baudrillard, Jean. 2002. The Spirit of Terrorism. London: Verso.
- Bolter, Jay David and Grusin, Richard. 1999. Remediation: Understanding New Media. London & Cambridge: The MIT Press.
- Cubitt, Sean. 2008. Codecs and Capability. In Video Vortex Reader: Responses to YouTube, eds. Geert Lovink and Sabine Niederer, 45-53. Institute of Network Cultures: Amsterdam.
- Elsaesser, Thomas. 1998. Digital Cinema: Delivery, Event, Time. In Cinema Futures: Cain, Abel or Cable, eds. T. Elsaesser and Kay Hoffman, 201-223. Amsterdam: Amsterdam University Press.
- Elsaesser, Thomas. 2008. Constructive Instability or: The Life of Things as the Cinema’s Afterlife. In Video Vortex Reader: Responses to YouTube, eds. Geert Lovink and Sabine Niederer, 13-33. Institute of Network Cultures: Amsterdam.
- Jameson. Fredric. 1988. Cognitive Mapping. In Marxism and the Interpretation of Culture, eds. Cary Nelson and Lawrence Grossberg, 347-358. London: Macmillan.
- King, Geoff. 2005. Just Like a Movie?: 9/11 and the Hollywood Spectacle. In The Spectacle of the Real. ed. Geoff King, 47-59. Bristol: Intellect.
- Knight, Peter. 2000. Conspiracy Culture: From Kennedy to the X-files. London: Routledge.
- McLuhan. Marshall. 1974 [1964]. Understanding Media: The Extensions of Man. London: Abacus.
- Pedersen. Peter Ole. 2012. War, Lies and Video: Documentary Features of the War Film Genre in the Post-Media Age. In Film in the Post-Media Age, ed. Ágnes Pethö, 255-271. Newcastle upon Tyne: Cambridge Scholars Publishing.
- Renov, Michael. 1993. Towards a Poetics of Documentary. In Theorizing Documentary, ed. Michael Renov, 12-37. New York & London: Routledge.
- Virilio, Paul. 1986 [1977]. Speed and Politics: an Essay on Dromology. New York. NY, USA: Columbia University.
- Williams, Linda. 2005 [1988]. Mirrors Without Memories: Truth, History and the New Documentary. In New Challenges for Documentary, eds. John Comer and Alan Rosenthal. 59-79. Manchester, New York: Manchester University Press.
- Williams, Raymond. 1975 [1974]. Television: Technology and Cultural Form. New York: Schocken Books
Typ dokumentu
Bibliografia
Identyfikatory
Identyfikator YADDA
bwmeta1.element.doi-10_2478_ausfm-2014-0004