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Liczba wyników
2016 | 3 | 1 | 81-86
Tytuł artykułu

Remediating Global Media in Recent Shakespeare Productions on Romanian Stages

Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
The paper discusses recent Romanian Shakespeare productions of The Tempest and A Midsummer Night’s Dream in Bucharest. It argues that global mass culture, in the form of TV sitcoms and musicals, YouTube clips and computer games, is re-circulated on Romanian stages with the result of re-mediating the older forms of Romanian Shakespeare performances. The paper interrogates the popular character of the new type of productions, which are largely unpolitical and motivated by commercial reasons. The last part of the paper presents a radical deconstruction of Shakespeare’s text in the form of a computer game, which, however, re-introduces the political orientation of older, pre- 1989 performances.
Słowa kluczowe
Wydawca
Rocznik
Tom
3
Numer
1
Strony
81-86
Opis fizyczny
Daty
wydano
2016-08-01
online
2016-08-04
Twórcy
  • Facultatea de Limbi si Literature Străine, Universitatea București, Str. Edgar Quinet 5-7, Sector 1, Bucureşti, Romania, madalinanicolaescu@gmail.com
Bibliografia
  • Andronescu, Monica. 2014a. “DISTOPIE. Shakespeare. REMIX”. Un meteorit la TNB. Yorrick.ro. revista online de teatru.. yorick.ro/distopie-shakespeare-remix-un-meteorit-in-tnb/. Retrieved on 15.05.2016.
  • Andronescu, Monica. 2014b. “Vis într-o noapte de vară de secol 21 sau dragostea înseamnă manipulare” (A Midsummer Night’s Dream of the 21st Century or Love means manipulation) Yorrick.ro. revista online de teatru. yorick.ro/vis-intr-o-noapte-de-vara-de-secol-21-sau-dragostea-inseamna-manipulare. Retrieved on 01.05.2016.
  • Ieronim, Ioana. 2009. “Cuvânt înainte”. Furtuna (The Tempest) Bucuresti: Fundatia culturala Camil Petrescu/Revista Teatrul Azi. 1-3.
  • Kidnie, Margret Jane. 2009. Shakespeare and the Problem of Adaptation. London and New York: Routledge.
  • Lanier, Douglas. 2010. “Recent Shakespeare Adaptations and Mutations of Cultural Capital”, Shakespeare Studies, vol. 38. 104-113.
  • Lanier, Douglas. 2011. “Post-Textual Shakespeare “, Shakespeare Survey, vol. 64. 145-162.
  • Lucaciu, Ileana. 2011. “Visul unei Nopti de vara” -- Teatrul Mic. Spectator. http://ileanalucaciu.blogspot.ro/2011/10/visul-unei-nopti-de-vara-teatrul-mic.html.
  • Marinescu, Ciprian. 2009. “Shakespeare@Yahoogroup”. Scena.ro. Revista de artele spectcolului. (3).
  • Neill, Stephen. 2014. Shakespeare and YouTube. New Media Forms of the Bard. Continuum Shakespeare Studies.
  • Purcell, Stephen. 2009. Popular Shakespeare. Simulation and subversion on the Modern Stage. Basingstoke: Palgrave.
  • Wray, Ramona. 2006. “Shakespeare and the Singletons; or, Beatrice Meets Bridget Jones: Post-Feminism, Popular culture and ShakespeRetold”. Screening Shakespeare in the Twenty First Century. Eds. Mark Thomson Burnett and Ramona Wray. Edinburgh: Edinburgh University Press.
Typ dokumentu
Bibliografia
Identyfikatory
Identyfikator YADDA
bwmeta1.element.doi-10_1515_msas-2016-0008
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