‘Dancing through the Minefield’: Canon Reinstatement Strategies for Women Authors

• Autorzy: Reghina Dascăl
• Języki publikacji: EN

Abstrakty

EN

The paper explores the limiting and detrimental effects of biographical criticism and exceptionalism in the efforts of reinstating women authors into the Renaissance canon, by looking into the literary merits of Elizabeth Cary’s The Tragedy of Mariam, The Fair Queen of Jewry and The History of The Life, Reign and Death of Edward II. Whereas the conflation of biography and fiction is a successful recipe for canonization and for the production of feminist icons, it renders the text impotent because of its resulting inability to compete with or to be seen in correlation and interplay with other contemporary texts.

Słowa kluczowe

EN

biographical criticism; canonical reinstatement; Jacobean drama; Stuart patriarchy

• Wydawca: Sciendo
• Czasopismo: Gender Studies
• Rocznik: 2015
• Tom: 14
• Numer: 1
• Strony: 48-67

Daty

wydano

2015-12-01

online

2016-02-29

Twórcy

autor

Reghina Dascăl

• West University of Timișoara, 4, Vasile Pârvan Blvd, 300223, Timișoara, Romania,

Bibliografia

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• Reeves, Margaret. 2007. “From Manuscript to Printed Text: Telling and Retelling the History of Edward II” in The Literary Career and Legacy of Elizabeth Cary, 1613-1680. Heather Wolfe (Ed.). Basingstoke: Palgrave Macmillan, pp. 125-144.
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• Stauffer, Donald A. 1935. “A Deep and Sad Passion” in Hardin Craig (Ed.). The Parrott Presentation Volume. Princeton: Princeton University Press, pp. 289-314.
• Weedon, Chris. 1987. Feminist Practice and Poststructuralist Theory. Oxford: Oxford University Press.
• Wright, Stephanie J. 1994. A Biographical and Critical Study of the Life and Works of Elizabeth Cary, 1st Viscountess Falkland (1585-1639) PhD thesis. University of Leeds.

Identyfikatory

DOI

10.1515/genst-2016-0004