Women And Visual Representations Of Space In Two Chinese Film Adaptations OfHamlet

• Autorzy: WAI FONG CHEANG
• Języki publikacji: EN

Abstrakty

EN

This paper studies two Chinese film adaptations of Shakespeare’s Hamlet, Xiaogang Feng’s The Banquet (2006) and Sherwood Hu’s Prince of the Himalayas (2006), by focusing on their visual representations of spaces allotted to women. Its thesis is that even though on the original Shakespearean stage details of various spaces might not be as vividly represented as in modern film productions, spaces are still crucial dramatic elements imbued with powerful significations. By analyzing the two Chinese film adaptations alongside the original Hamlet text, the paper attempts to reinterpret their different representations of spaces in relation to their different historical-cultural gender notions.

Słowa kluczowe

EN

film adaptation; Hamlet; Shakespeare; space; women

• Wydawca: Sciendo
• Czasopismo: Gender Studies
• Rocznik: 2014
• Tom: 13
• Numer: 1
• Strony: 1-21

Daty

wydano

2014-12-01

online

2015-03-25

Twórcy

autor

WAI FONG CHEANG

• Chang Gung University, Taiwan, 259 Wen-Hwa 1st Road, Kwei-Shan Tao-Yuan, Taiwan; 2014-2015 Visiting Scholar at Harvard University, USA,

Bibliografia

• The Banquet. 2006. Dir. Xiaogang Feng. Perf. Zhang Ziyi and Daniel Wu. DVD. Hwa-yi Brothers.
• Chambers, E. K. 1923. The Elizabethan Stage. Vol. 4. Oxford: Clarendon.
• Coursen, H. R. 2002. Shakespeare in Space: Recent Shakespeare Productions on Screen. New York: Peter Lang.
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• Gurr, Andrew. 2004. Playgoing in Shakespeare’s London. 3rd ed. Cambridge: Cambridge University Press.
• Hamlet. Dir. Laurence Olivier. Perf. Laurence Olivier and Eileen Herlie. DVD. 1948.
• Hamlet. Dir. Franco Zeffirelli. Perf. Mel Gibson and Glenn Close. DVD. Warner Brothers. 1990.
• Hiscock, Andrew. 2004. The Uses of This World: Thinking Space in Shakespeare, Marlowe, Cary and Jonson. Cardiff: University of Wales Press.
• Hopkins, D. J. 2008. City/Stage/Globe: Performance and Space in Shakespeare’s London. New York: Routledge.
• Ichikawa, Mariko. 2013. The Shakespearean Stage Space. Cambridge: Cambridge University Press.
• Li, Ruru. 1995. “The Bard in the Middle Kingdom.” Asian Theatre Journal 12.1 pp. 50-84.
• Lefebvre, Henri. 1991 (1974). The Production of Space. Trans. Donald Nicholson-Smith. Malden, MA: Blackwell.
• Mullaney, Steven. 2013. “What’s Hamlet to Habermas? Spatial Literacy, Theatrical Publication and the Publics of the Early Modern Public Stage.” Making Space Public in Early Modern Europe. New York: Routledge, pp.17-40.
• Prince of the Himalayas. 2006. Dir. Sherwood Hu. Perf. Purba Rgyal and Zomskyid. DVD.
• Shakespeare, William. 1982. Hamlet. Ed. Harold Jenkins. The Arden Shakespeare ed. London: Methuen.[WoS]
• Shakespeare, William. 1954. King Henry V. Ed. J. H. Walter. The Arden Shakespeare ed. London: Methuen.[WoS]
• West, Russel. 2002. Spatial Representations and the Jacobean Stage: From Shakespeare to Webster. New York: Palgrave.

Identyfikatory

DOI

10.1515/genst-2015-0001