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Liczba wyników
2015 | 10 | 1 | 183-199
Tytuł artykułu

Digitalization and the Production of Feeling and Emotion: The Case of Words Cut into the Skin

Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
This article investigates one example of how affect is articulated in the self-cutting of words into the skin and how the meaning of this multimodal [statement is modified through remediation. According to Tomkins, affects are understood as intensities that are impossible to frame as feelings or emotions. A theoretical framework based on Laclau’s and Mouffe’s discourse theory and the multimodal categories developed by Kress and van Leeuwen is used. Photographs of self-cutting and statements from people who cut themselves are examined through content analyses. The results show that words that had been cut into the skin often referred to painful experiences, disgust directed against themselves, or social isolation. Further, the study shows that when the cut-in words are remediated through a photograph, digitalized and published online, other meanings appear. Inside internet communities for people who self-injure, the photographs were associated with a communal experience, identification and prescribed activity. The original self-oriented feelings about one’s shortcomings and isolation attached to self-cutting could be altered so that those connoted, instead, experiences of solidarity, identity and intimacy.
Wydawca
Rocznik
Tom
10
Numer
1
Strony
183-199
Opis fizyczny
Daty
wydano
2015-08-01
online
2016-04-06
Twórcy
Bibliografia
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  • Favazza. Armando R. and Karen Conterio. 1989. Female Habitual Self-Mutilators. Acta Psychiatrica Scandina\ica no. 79: 283-289.
  • Kress. Gunther R. and Theo van Leeuwen. 2001. Multimodal Discourse: The Modes and Media of Contemporary Communication. London and New York: Bloomsbury Academics.
  • Laclau, Ernesto and Cliantal Mouffe. 2001 [1985]. Hegemony and Socialist Strategy: Tow ards a Radical Democratic Politics. London and New York: Verso. Maigo. 2006. Psyke.org - Maigo. <http://psyke.org/pictures/rn/maigo>. Last accessed 03. 03. 2015.
  • Meeker, Mary. 2013. 2013 Internet Trends. Kleiner Perkins Caufield & Byers. http://w7\\’w.kpcb.com/insights/2013-internet-trends <http://w7//%e2%80%99w.kpcb.com/insights/2013-internet-trends>. Last accessed 03. 03. 2015.
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  • Ohman, Anneli Brannstrom, Maria Jonsson and Ingeborg Svensson. 2011. Inledning. In Att karma sig from: KOnslor i humanistisk genusforskning [Introduction. In To Feel One's Way: Feelings in Humanistic Gender Studies], eds. Anneli Brannstrom Oilman, Maria Jonsson and Ingeborg Svensson, 7-19. Ume&: Bokforlaget ILstrom. Psyke.org. 2006. Picture Feedback, <http://www.psyke.org/about/feedback/> pictures/. Last accessed 03. 03. 2015.
  • Seko. Yukari. 2013. Picturesque Wounds: A Multimodal Analysis of Self-Injury Photographs on Flickr. Forum Qualitative Sozialforschung vol. 14 no. 2 (May). http://www.qualitative-research.net/index.php/fqs/article/\dew/1935/3546 <http://www.qualitative-research.net/index.php/fqs/article//dew/1935/3546>. Last accessed 03. 03. 2015.
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  • Stemudd. Hans T. 2011b. The Discourse of Cutting: Regaining Control and Meaning Making. In How Does It Feel?: Making Sense of Pain. eds. Hans T. Stemudd and Angela Thmini, 75-98. Oxford: Inter-Disciplinary Press. Stemudd. Hans T. 2012. Photographs of Self-Injury: Production and Reception in a Group of Self-Injurers. Journal of Youth Studies vol. 15 no. 4: 421-436. Stemudd. Hans T. 2014a. “I like to see blood”: Visuality and Self-Cutting. Visual Studies vol. 29 no. 1:14-29.
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Typ dokumentu
Bibliografia
Identyfikatory
Identyfikator YADDA
bwmeta1.element.doi-10_1515_ausfm-2015-0034
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