Travel Writing on the Edge: An Intermedial Approach to Travel Books and Travel Blogs

• Autorzy: Stefano Calzati
• Języki publikacji: EN

Abstrakty

EN

After discussing the limits and potentialities of the definitions of travel writing proposed by Paul Fussell (1980). Patrick Holland and Graham Huggan (1998) and Jan Borm (2004), the article presents a characterization of travel writing both as a genre with a precise rhetorical status, as well as a praxis of knoivledge, which derives from the interplay between travelling and writing. Building on this, a comparison between two Italian travel books and two Italian travel blogs about China is proposed. Specifically, by considering these texts as “intermedial transpositions” (Wolf 2008) that realize the same generic and epistemological matrix (i.e. travel writing), a Multimodal Critical Discourse Analysis (MCDA) is conducted in order to assess: 1) how the book and the blog, as different medial formats, interpret the rhetorical features of the travel writing genre: and 2) to what extent the gnoseological and cross-cultural potentials of travel writing, as a praxis of knowledge, is affected by the process of transposition.

Słowa kluczowe

EN

travel writing; blogs; intermediality; genre; epistemology

• Wydawca: Sciendo
• Czasopismo: Acta Universitatis Sapientiae, Film and Media Studies
• Rocznik: 2015
• Tom: 10
• Numer: 1
• Strony: 153-168

Daty

wydano

2015-08-01

online

2016-04-06

Twórcy

autor

Stefano Calzati

• University of Leeds (UK),

Bibliografia

• Adomo. Theodor. 1991. The Culture Industry: Selected Essays on Mass Culture. London: Routledge.
• Aiello, Giorgia. 2012. All Togethg® Now: The Recontextualization of Branding and the Stylization of Diversity in EU Public Communication. Social Semiotics vol. 22 no. 4: 459-486.[WoS]
• Baetens. Jan. 2007. Image and Narrative. In Routledge Encyclopedia of Narrative Theory, eds. David Herman. Manfred Jahn and Marie-Laure Ryan. 236-7. London: Routledge.
• Bettinelli. Giorgio. 2008. La Cina in Vespa. [Around China on a Vespa]. Milano: Feltrinelli.
• Blanton. Casey. 2002. Travel Writing: The Self and the World. London: Routledge.
• Bolter. David J. and Richard Grusin. 1999. Remediation: Understanding New Media. Cambridge. Massachusetts: MIT Press.
• Borm, Jan. 2004. Defining Travel: On the Travel Book, Travel Writing and Terminology. In Perspectives on Travel Writing, eds. Glenn Hooper and Tim Youngs. 13-26. Famham: Ashgate Publishing Ltd.
• Bourdieu. Pierre. 1990. Photography: a Middlebrow Art. London: Polity Press.
• Butor. Michel. 2001 Travel and Writing. In Defining Travel: Diverse Visions, ed. Susan L. Roberson. 65-89. Mississippi: University Press of Mississippi.
• Derrida. Jacques. 1976. Of Grammatology. Baltimore: Johns Hopkins University Press.
• Flavia. 2013. Conoscere Pechino tra dinastie e imperatori. [Getting to Know Beijing between Dynasties and Emperors], <http://blogdiviaggi.com/blog/2013/09/21/\iaggio-a-pechino-cosa-vedere. Last accessed 03. 05. 2015. Fussell. Paul. 1980. Abroad: British Literary Travelling between the Wars. Oxford: Oxford University Press.
• Genette. Gerard. 1997. Paratexts: Thresholds of Interpretation. Cambridge: Cambridge University Press.
• Holland. Patrick and Graham Huggan. 1998. Tourists with Typewriters: Critical Reflections on Contemporary Travel Writing. Ann Arbor: University of Michigan Press.
• Hooper. Glenn and Tim Youngs. 2004. Perspectives on Travel Writing. Famham: Ashgate Publishing Ltd.
• Jenkins. Henry. 2006. Convergence Culture: Where Old and New Media Collide. New York: New York University Press.
• Miller. Carolyn. 1984. Genre as Social Action. Quarterly Journal of Speech vol. 70: 151-177.
• Millycat. 2012. Cina: terra di grandi contrasti. [China: Land of Big Contrasts]. <http://blogdiviaggi.com/blog/2013/09/21/viaggio-a-pechino-cosa-vedere/>. Last accessed 05. 05. 2015.
• Moroz. Grzegorz and Jolanta Sztachelska. eds. 2010. Metamorphoses of Travel Waiting: Across Theories. Genres. Centuries and Literary Traditions. Newcastle: Cambridge Scholars Publishing.
• Papacharissi, Zizi. 2004. The Blogger Revolution? Audiences as Media Producers. Paper presented at the Annual Conference of the International Communication Association. New Orleans.
• Prince. Gerald. 1987. The Dictionary of Narratology. Lincoln: University of Nebraska Press.
• Raban. Jonathan. 1988. For Love & Money: IVriting-Reading-Traveiling 1968- 1987. London: Picador.
• Ramazzotti. Sergio. 2002. La birra di Shaoshan. [A Beer in Shaoshan]. Milano: Feltrinelli.
• Thompson. Carl. 2011. Travel Waiting: The New Critical Idiom. London: Routledge. Uszkalo. Kirsten and Darren Harkness. 2012. Consider the Source: Critical Considerations of the New Medium of Social Media. In From Text to Txting: New Media in the Classroom, eds. Paul Bubra and Clint Burnham. 15^42. Bloomington: Indiana University Press.
• Van Lier. Henri. 2007. Philosophy of Photography. Leuven: Leuven University Press. Wolf. Werner. 2008. The Relevance of “Mediality” and “Intermedialitv" to Academic Studies of English Literature. In Mediality/Intermediality. eds. Martin Heusser, Andreas Fischer and Andreas H. Jucker, 15-43. Gottingen: Narr.
• Yates. JoAnne. Wanda Orhkowsld and Kazuko Okamura. 1999. Explicit and Implicit Structuring of Genres in Electronic Communication: Reinforcement and Change of Social Interaction. Organization Science vol. 10 no. 1: 83-117.

Identyfikatory

DOI

10.1515/ausfm-2015-0032