On Authenticity and Popular Culture

• Autorzy: Bego Fabio
• Języki publikacji: EN

Abstrakty

PL

O autentyczności i kulturze popularnej

Słowa kluczowe

PL

kultura popularna; autentyczność; muzyka popularna; subkultury

EN

popular culture; authenticity; popular music; subcultures

• Wydawca: Polska Akademia Nauk. Instytut Sztuki PAN
• Czasopismo: Kwartalnik Filmowy
• Rocznik: 2021
• Numer: 116 Kino i tożsamośc społeczna
• Strony: 242-250

Twórcy

autor

Bego Fabio

• independent researcher

Bibliografia

• Adorno, T. W. (1998). On Popular Music. In: J. Storey (ed.), Cultural Theory and Popular Culture: A Reader (pp. 197-209). Athens: The University of Georgia Press.
• Benjamin, W. (1969). The Work of Art in the Age of Mechanical Reproduction (trans. H. Zohn). In: H. Arendt (ed.), Illuminations (pp. 217-251). New York: Schocken Books.
• Buchanan, D. A. (ed.) (2007). Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse. Lanham: The Scarecrow Press.
• Heidegger, M. (1996). Being and Time: A Translation of “Sein und Zeit” (trans. J. Stambaugh). Albany: State University of New York Press.
• Mazierska, E. (2020). Polish Popular Music on Screen. Cham: Palgrave Macmillan.
• Miszczynski, M., Helbig, A. N. (eds.) (2017). Hip Hop at Europe’s Edge: Music, Agency, and Social Change. Bloomington: Indiana University Press.
• Schaefer, E. (1999). “Bold! Daring! Shocking! True!”: A History of Exploitation Films, 1919-1959. Durham: Duke University Press.
• Tochka, N. (2016). Audible States: Socialist Politics and Popular Music in Albania. New York: Oxford University Press.