RECEPTION OF PIRANDELLO IN CRACOW DURING THE PERIOD OF POLISH PEOPLE’S REPUBLIC (PRL)

• Autorzy: Koman Aleksandra
• Języki publikacji: EN

Abstrakty

EN

one of the most interesting objects of analysis, either from the formal point of view or from the perspective of the attempts to justify the choice to play them. The scope of the present article is an analysis of the reception of two dramas by Pirandello played during the PRL period in Cracow: Henry IV and As You Desire Me, both of them played in the Stary Teatr in Cracow. By investigating opinions of the critics’ reaction to the plays and artistic biographies of their directors, the author attempts to find a connection between the meanings of Pirandello’s texts and the socio-political context of Poland in the Communist era.

Słowa kluczowe

PL

Pirandello; Henryk IV; Come Tu Mi Vuoi; Stary Teatr w Krakowie; PolskaRzeczpospolita Ludowa; komunizm

EN

Pirandello; Henry IV; As You Desire Me; Cracow; Stary Teatr in Cracow; Polish People’s Republic; Communism

• Wydawca: Towarzystwo Przyjaciół Nauk w Przemyślu
• Czasopismo: Rocznik Przemyski
• Rocznik: 2018
• Tom: 54
• Numer: 2(22): Literatura i Język
• Strony: 79-88

Twórcy

autor

Koman Aleksandra

Bibliografia

• J. R. Bujański, Starego Teatru druga młodość [The second youth of the Old Theatre], Cracow 1985.
• A. Koman, Ofelia Pirandella : rozważania nad kobiecym szaleństwem, “Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria” 2017, z. 17, p. 241-244.
• M. Toporek, Teatr krakowski w latach 1945-1956. Oblicze ideowo-polityczne, Katowice 2016,