Warianty tytułu
Alternative Forms of Representation of Polish History: the Case of Licheń
Języki publikacji
Abstrakty
This article examines the main features historical representations of Lichen, conveyed by the inscriptions, often with their very emotional rhetoric, paintings, sculptures and other visual cultures. They are situated in the Sanctuary of “Our Lady of Sorrows” in Licheń Stary - one of the most popular tourist destinations and religious pilgrimage sites in Poland. The message contained in the Licheńn historical representation reflects the common national myths, such as the “undisputable” connection between the Polish people and Catholicism, the Holy Mother’s “special protectorate” over the Polish nation, the Messianic ideas and heroism, the glory and sacrifice that Polish patriots experienced when they had to fight for Poland’s independence in the 19th century and after the WWII, when our country was under communist domination. The very strong connection between the Catholic faith and Polish history is a characteristic of the ‘culture of a folk type’. I take under consideration in what ways this kind of culture influences the view of our past. I will also analyse the form of the Licheń art, because in spite of being often described as daub, it is able to cause something that Ankersmit calls “experience about the past”. I consider the reasons why this kind of experience, which is both traumatic and nostalgic at the same time, is so attractive and convincing for the almost two million pilgrims who visit this place every year.
Czasopismo
Rocznik
Numer
Strony
203-2016
Opis fizyczny
Twórcy
autor
- Uniwersytet Marii Curie-Skłodowskiej w Lublinie
Bibliografia
Typ dokumentu
Bibliografia
Identyfikatory
Identyfikator YADDA
bwmeta1.element.desklight-e0fe9d7a-2708-4f90-a97c-34b6f6b3a71c
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