Warianty tytułu
The aesthetics and ethics of ORLAN’s performances as a response to the idealisation of the body in the culture of the future
Języki publikacji
Abstrakty
The article examines the work of the French performance artist ORLAN in the context of contemporary artistic projects operating on the margins of art and biology. Transforming herself into a unique object/subject of public debate, always in opposition to something or between something — classic perception of beauty in Western European culture, transhumanism, eugenics, plastic surgery — ORLAN is presented here as a prophetic visionary, whose projects, consistently moving from performance to bioart, herald a new direction in the development of art.
Słowa kluczowe
Czasopismo
Rocznik
Tom
Strony
271 - 279
Opis fizyczny
Twórcy
autor
- Uniwersytet Wrocławski
Bibliografia
Typ dokumentu
Bibliografia
Identyfikatory
Identyfikator YADDA
bwmeta1.element.desklight-afdde21c-b8fb-44b3-bdb2-bedc51f25692