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1992 | 1-2 | 65-70
Tytuł artykułu

Willa Medycejska w Pratolino uratowana...

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Warianty tytułu
EN
THE MEDICI VILLA IN PRATOLINO IS SAVED...
Języki publikacji
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Abstrakty
EN
The great villa and park ensemble of the Medicis in Pratolino near Florence was built in the years 1569-1584 upon the initiative of Francis I, the second grand duce of Tuscany. The peak period of this undertaking was the end of the sixteenth and the entire seventeenth century. Subsequently, Pratolino was ruined by the Lorraine dynasty, the heirs of the Mecicis. In the years 1820-1824 the devastated villa was taken apart and although as late as 1830 it was still planned to rebuild it, in 1872 the premises were sold to the Demidoffs, an aristocratic Russian family. The new owners erected a palace and completed changes in the park, inaugurated already during the first half of the nineteenth century, by transforming the Manneristic „giardinio italiano" into a Romantic-era „English garden". In 1969 the Demidoff family auctioned off the villa and park which were purchased by a real estate company interested in raising flats. This step was a threat to the entire property. Thanks to a campaign carried out by Italian and foreign historians of art, the building was saved from inevitable destruction. Professor Luigi Zangheri, from the Florence Institute of Architecture and Restoration, took upon himself the greatest burden in this campaign for the purchase of the monument, due to its exceptional historical and cultural value; he organized financial means and a staff of specialists who conducted thorough scientific investigations and prepared a programme of conservation. Professor Zangheri is also the author of the first scientific monographic study dealing with the villa and park complex (1979). His energetic efforts made it possible to reconstruct all the elements of Pratolino and its park. The greatest difficulties were, and still are caused by questions concerning the meaning of the complicated ensemble of caves, fountains, artifical mounds, water mirrors etc. Present-day scholars and in particular Professor L. Berti saw in it an illustration of the cognitive interests of the Medici ruler, based on two mutually supplementing topoi: Nature and Art. It has been impossible to determine up to now the identity of the author of the Pratolino programme. The indubitable accomplishment of Zangheri and his team was fact that they preserved from the former Medici „theatrum" all that which was still worthy of saving. The future of Pratolino remains an open question. Will the idea of organizing exhibitions of modern art prove to be a dissonance vis a vis art of days bygone?
Czasopismo
Rocznik
Numer
1-2
Strony
65-70
Opis fizyczny
Daty
wydano
1992
Twórcy
  • Prof. dr hab.; UMK w Toruniu Instytut Zabytkoznawstwa i Konserwatorstwa Zakład Muzealnictwa
Bibliografia
  • L Z a n g h e r i , / giardini d'Europa: una mappa della fortuna net XVI e XVII secolo, w: Il Giardino d'Europa. Pratolino come model/o nella culture europea, Milano 1986, s. 82-92.
  • D. H e i k a m p, Pratolino nei suoi giorni splendidi, w: „Antichita Viva", 1969, n. 2;
  • D. H e i k a m p, Les merveilles de Pratolino, w: „L'Oeil", CLXXI, 1969, s. 16 i n.
  • E. Bat t i st i , L'Antirinascimento , Milano 1962
  • L. Za ng he r i , Pratolino, il giardino de/le meraviglie, Torino 1979.
  • L. B e r t i. Il Principe dello Studiolo. Francesco I dei Medici e la fine del Rinascimento fiorentino, Firenze 1967.
  • F. d e Vier i , Delle meravigliose opere di Pratolino, et Amore, Firenze 1585.
  • Libri di immagini. disegni e incisioni di Giovanni Guerra (Modena 1544 -R om a 1618), katalog wystawy, Modena 1978, s. 16-27.
  • H. Sch i c k h ar d t , Cod. Hist., 4.148b, Landesbibliothek, Stuttgart.
  • S a l o m o n Du Cues, Les raisons des forces mouvantes, Paris 1624
  • C. S. Maks, Salomon de Caus, Paris 1935.
  • G- Zocchi , Vedute de/le Ville e d'a/tri luoghi delia Toscana, Firenze 1744.
  • B.G. S g r i l l i, Descrizione della Regia Villa, Fontane e Fabriche di Pratolino, Firenze 1742.
  • Il ritorno di Pan, Ricerche e progetti per il futuro di Pratolino, pod red. M. De z z i Bardeschi , Firenze 1985;
  • Il Giardino d’Europa, Pratolino come modello nella culture europea , katalog pod red. A l e s s andr o Vez zosi , Milano 1986.
  • Mi c h e l de M o n t a i g n e oglądał Pratolino w trakcie jego realizacji: 1580-1581; por. jego Journal de voyage en Italie (1 580-1581), Milano 1942.
  • M. Rywo ck i , Księgi peregrynackie, 1910 (Archiwum do Dziejow Literatury i Oświaty w Polsce, t. XII), s. 201 (11. V. 1585).
  • J u s t u s Utens, Villa Pratolino, veduta pochodząca z willi Artimino, obecnie w Museo Topografico, Firenze com'era.
  • E. Ga r b e r o Zorzi , I Teatri di Pratolino w: Il Giardino d'Europa, op. cit., s. 83.
  • Z. Wa źb i ń s k i , L'Accademia Medicea del Disegno a Firenze net Cinquecento. Idea e Istituzione, Firenze 1979, ss. 382-397.
  • A. S о I e r t i, Musica, Balio e Drammatica della corte Medicea da! 1600 al 16 3 7 , Firenze 1905;
  • J. С h a t e r. Musical Patronage in Rome at the Turn of the Seventeenth Century. The case of cardinale Montalto, w: Studi Musicali, 16, 1987, ss. 179-225;
  • F.T. С a m i z, The Castrato Singer. From informal to formal Portraiture, w: „Artibus et Historiae", 18, 1988, ss. 171-186.
  • F. S e t t i m a n i, Diari, c. 99 (25 VII 1698): Addi XXV di luglio 1598 mattino ii Sig. r Cardinale dai Monte venendo da Bologna con una lettiga del Granduca desino in Pratolino, dov'era il Principio Cosimo (...).
  • A. Pr zyboś, Podroż krolewicza Władysława Wazy do krajow Europy Zachodniej w latach 1624-1625 w świetle owczesnych relacji, Krakow 1977, s. 360.
  • J. Sobi esk i , Dwie podroże Jakuba Sobieskiego odbyte w krajach Europy Zachodniej w latach 1607-1613 i 1638, Poznań 1833, s. 145.
  • A. Ve z zos , Un laboratorio d'arte comporanca net giardino della memoria, w: Il Giardino d'Europa, j. w., ss. 153-190.
Typ dokumentu
Bibliografia
Identyfikatory
ISSN
0029-8247
Identyfikator YADDA
bwmeta1.element.desklight-9bad104f-368b-42b5-8b9a-5df0d37eae35
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