Ku przymierzu widowni ze sceną, czyli Wesele… „Gardzienic”

• Autorzy: Wiśniewski Tomasz , Kręglewska Katarzyna

Warianty tytułu

EN

Towards an Alliance between the Performers and the Audience – Wesele by The Centre for Theatre Practices “Gardzienice”

• Języki publikacji: PL

Abstrakty

EN

Similarly to the earlier work of “Gardzienice”, The Wedding – Wyspiański – Malczewski – Konieczny constitutes a condensed and artistically autonomous universe. On the one hand the production makes extensive use of creative methods that are typical of Włodzimierz Staniewski and on the other employs specific stage language that has been developed by the ensemble. Complex artistic organization of the on-stage reality may be observed not only in the case of a particular performance but also in the broader sequence of events that are named “a theatre marathon”. For this reason, the article focuses not only on a particular staging of Wesele…, but concentrates also on the performative potential of the “marathon” held between 19th and 20th January 2018. Wesele… by Gardzienice is additionally placed in a broader interpretative context.

Słowa kluczowe

EN

Gardzienice

• Wydawca: Polska Akademia Nauk. Instytut Sztuki PAN
• Czasopismo: Konteksty - Polska Sztuka Ludowa
• Rocznik: 2018
• Tom: 72
• Numer: 1-2(320-321)
• Strony: 309-318

Twórcy

autor

Wiśniewski Tomasz

autor

Kręglewska Katarzyna