Inne spojrzenie. O kilku inscenizacjach dramatów Tadeusza Różewicza z lat ostatnich

• Autorzy: Osterloff Barbara

Warianty tytułu

EN

A Different Look. On Several Productions of Dramas by Tadeusz Różewicz in Recent Years

Abstrakty

EN

Różewicz’s literary work, staged rather sporadically, constitutes nevertheless an important point of reference for artistic explorations of quite a large number of Polish theatre artists of the middle and younger generations. Playwrights born in the 1970s, e.g. Michał Walczak, make references to Różewicz while directors of the same age put on Różewicz’s dramas. The author of this essay, thus, asks the following questions: Who Tadeusz Różewicz is for today’s directors? Inwhat ways do they engage in discourse with the theatre project contained in his plays, with the “impossible theatre” that fuses realism with poetry by replacing a rigid dramatic form with a “collection of fragments” and rejecting “the unfolding of events” in favour of “internal acts”? An overview of selected productions of Różewicz’s plays from recent years leads the author to the conclusion that it would be difficult to find a production fully complying with the playwright’s theatrical vision.

Słowa kluczowe

EN

Polish theatre; Polish drama; theatre studies; theatre adaptation; Tadeusz Różewicz

• Wydawca: Polska Akademia Nauk. Instytut Sztuki PAN
• Czasopismo: Pamiętnik Teatralny
• Rocznik: 2013
• Tom: 62
• Numer: 3-4(247-248)
• Strony: 211-238

Twórcy

autor

Osterloff Barbara

• Akademia Teatralna im. Aleksandra Zelwerowicza

Bibliografia

• M. Byczkowska, Egzamin z Różewicza, „Teatr” 2011 nr 2.
• J. Papuczys, Fragmenty cielesnego dyskursu, „Didaskalia” 2011 nr 2.
• R. Przybylski, Wtajemniczenie w los. Szkice o dramatach, Warszawa 1985.
• W. Szczawińska, Poza celą Konrada, „Dialog” 2003 nr 10.
• W teatrze – zawsze będziesz sam. Z Markiem Fiedorem rozmawia Maryla Zielińska, „Teatr” 2002 nr 12.