Papier japoński jako materiał w konserwacji dzieł sztuki

• Autorzy: Leszewska Weronika Maria

Warianty tytułu

EN

Japanese Paper in the Conservation of Works of Art

• Języki publikacji: PL EN

Abstrakty

EN

Handmade Japanese paper comprises material used in the conservation of works of art for the purposes of doubling, under-gluing, and the supplementation of gaps, as well as auxiliary work connected with the conservation not only of paper but also paintings and fabric. A list of basic information about washi can assist in the selection of suitable paper. The quality of paper is affected by properties of the fibres from which it is made. The process of production itself can exert considerable impact on the durability and features of Japanese paper. Paper traditionally produced in Japan possesses original names and characteristic. It is highly recommended to use paper tested in Western laboratories, although the information offered by the producer and own observations could be also helpful in determining quality.

Słowa kluczowe

PL

papier japoński; sztuka japońska; konserwacja papieru; gampi; mitsumata; kozo; misu-gami; uda; sekishu; mino

• Wydawca: Narodowy Instytut Dziedzictwa
• Czasopismo: Ochrona Zabytków
• Rocznik: 1998
• Numer: 3
• Strony: 266-272

Daty

wydano

1998

Twórcy

autor

Leszewska Weronika Maria

Bibliografia

• P. Wills, Far Eastern Pictorial Art — Form and Function, „The Paper Conservator”, Vol. 9, 1985, s. 5 -1 2 .
• T. Tabuchi, M. Miyasako, Distinctive Aspects o f Japanese Painting: Materials and Techniques, Japanese Paper Conservation Course — Course Notes, ICCROM/TNRICP, 1997, s. 2 0 4 -2 1 6 ;
• K. Masuda, K. Oryu, Techniques o f Mounting and Restoration, Japanese Paper Conservation Course — Course Notes, ICCROM/ TNRICP, 1997, s. 2 1 7 -2 5 1 ;
• M. Koyano, Japanese Scroll Paintings, FAIC, 1979.
• P. Wills, New D irections o f the Ancient Kind: Conservation Traditions in the Far East, „The Paper Conservator”, Vol. 11, 1987, s. 3 6 -3 8 .
• A. Robinson, Paper in Prints, National Gallery of Art, Washington D. C. 1977.
• S. Fletcher, J. Walsh, The treatment o f three prints by Whistler on fine japanese tissue, „AIC Journal” 1979, nr 2, s. 118-126.
• K. Masuda, Japanese Paper and FLYOGU, „The Paper Conservator”, Vol. 9, 1985, s. 3 2 -4 1 .
• S. Yanagi, The Unknown Craftsman, Kodansha International, Tokyo 1972.
• S. Hughes, WASHI — the World o f Japanese Paper, Kodansha International, Tokyo-New York-San Francisco 1978, s. 79.
• L. A. Bell, Plant Fibers for Papermaking, Liliaceae Press, McMinnville, Oregon 1995, s. 78.
• A. Dwan, Examination and Conservation o f Nineteenth Century Japanese Papers, AIC 17th Annual Meeting, Cincinnati 1989.
• M. Inaba, Deterioration o f Paper, Japanese Paper Conservation Course, 1997, mpis.
• J. Dąbrowski, J. Sinarska-Czaplicka, Rękodzieło papiernicze, Warszawa 1991, s. 43. 18.
• M. Inaba, Hand-made Japanese Paper and Machine-made Western Paper, Japanese Paper Conservation Course, 1997, mpis.
• T. Barrett, Japanese Papermaking..., Wheatherhill-New York-Tokyo 1984;
• J. N. Lindberg, Wytwarzanie papieru czerpanego w Japonii, „Przegląd Papierniczy”, t. 16, 1960, s. 3 1 5 -3 1 8 .
• W. Sobucki, D. Jarmińska, PAPER-NAO — Alterungbestandige Papiere aus Japan, „Restauro” 1996, nr 3, s. 2 0 0 -2 0 2 ;
• W. Sobucki, P. Rudniewski, Charakterystyka papierow japońskich „Japico” i „VANG”, „Ochrona Zabytków” 1991, nr 1, s. 2 9 -3 4 ;
• W. Sobucki, P. Rudniewski, Bibułki japońskie, „Ochrona Zabytków”, 1990, s. 9 2 -9 5
• R. Maematsu, Permanence o fw a sh i, (w:) International Seminar on the Preservation and Restoration o f Archives, Kanazawa 1984.

Identyfikatory

ISSN

0029-8247