Warianty tytułu
Music as an anthropological mirror of a minority: an example of research on musical activities of contemporary Viennese Czechs
Języki publikacji
Abstrakty
The study opens with an introductory section devoted to a brief presentation of the concept of minority and its definition. Based on comparison of the situation in Europe and the United States, as well as in different scholarly disciplines, the author aims to show main differences in its conceptualization and usage in the humanities, social sciences and law. On the background of the discipline´s development from comparative musicology to ethnomusicology, or musical anthropology, changes in the concept of minority and related research problems are outlined. At the beginning of the discipline, scholars focused on musical marginality embodied in non-European and predominantly rural European music in pursuit of its inclusion to the hypothetical timeline of musical development. While some scientists still continue documenting the music of endangered ethnic/national minorities, anthropology of music tends to study musical activities with respect to wider issues, such as music and identity negotiation among minority members, music and migration, etc. Finally, the author presents main questions, theoretical concepts, methodology and a summary of conclusions of her own research on musical activities of the contemporary Czech minority in Vienna, which was realized in the years 2012–2015.
Słowa kluczowe
Czasopismo
Rocznik
Tom
Numer
Strony
132 - 143
Opis fizyczny
Twórcy
autor
- Národopisná revue, redakce, Národní ústav lidové kultury se sídlem ve Strážnici, Zámek 672, 696 62 Strážnice, Czech Republic
Bibliografia
Typ dokumentu
Bibliografia
Identyfikatory
Identyfikator YADDA
bwmeta1.element.desklight-6510a350-fcc8-4b4a-be08-73cba77af87a
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