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2016 | 19 | 129-141
Tytuł artykułu

Actors and Orators

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Abstrakty
EN
In ancient Rome the professions of actors and orators seemed to be the two sides of the same coin. The coin is performance and the sides are good and evil. Actors were seen as scum who dare to pretend they can be anyone, even though on stage only. Orators, on the other hand, were respected members of the community, perceived as crucial representatives of Roman society.
Słowa kluczowe
Rocznik
Numer
19
Strony
129-141
Opis fizyczny
Twórcy
Bibliografia
  • Axer J., 1976, Mowa Cycerona w obronie aktora komediowego Roscjusza. Studium z krytyki tekstu, Wrocław-Warszawa-Kraków-Gdańsk.
  • Axer J., 1980, The style and the composition of Cicero’s speech “Pro Q. Roscio comoedo”: origin and function, Warszawa.
  • Bablitz L., 2011, ‘Roman Society in the Courtroom’, [in:] M. Peachin (ed.), Oxford Handbook of Social Relations in the Roman World, Oxford, pp. 317-334.
  • Corbeill A., 1997, Controlling Laughter. Political Humor in the Late Roman Republic, Princeton.
  • Edwards C., 1993, Politics of Immorality, Cambridge.
  • Edwards C., 1994, ‘Beware of imitations: theatre and the subversion of imperial identity’, [in:] J. Elsner, J. Masters (eds.), Reflections of Nero. Culture, History & Representation, London, pp. 83-97.
  • Edwards C., 1997, ‘Unspeakable Professions: Public Performance and Prostitution in Ancient Rome’, [in:] P. J. Hallett, B. M. Skinner (eds.), Roman Sexualities, Princeton, pp. 66-95.
  • Gildenhard I., 2007, ‘Greek Auxiliaries: Tragedy and Philosophy in Ciceronian Invective’, [in:] J. Booth (ed.), Cicero on the Attack. Invective and Subversion in the Orations and Beyond, Swansea, pp. 148-182.
  • Greenidge A. H. J., 1901, The Legal Procedure of Cicero’s Time, Oxford.
  • Hall J., 2014, Cicero’s Use of Judicial Theater, Ann Arbor.
  • Harries B., 2007, ‘Acting the Part: Techniques of the Comic Stage in Cicero’s Early Speeches’, [in:] J. Booth (ed.), Cicero on the Attack. Invective and Subversion in the Orations and Beyond, Swansea, pp. 129-147.
  • Hughes J. J., 1997, ‘Inter tribunal et scaenam: comedy and rhetoric in Rome’, [in:] W. J. Dominik (ed.), Roman Eloquence. Rhetoric in Society and Literature, London, pp. 182-197.
  • Kelly J. M., 1976, Studies in the Civil Judicature of the Roman Republic, Oxford.
  • Kuryłowicz M., 1994, Prawo i obyczaje w starożytnym Rzymie, Lublin.
  • Laidlaw W. A., 1960, ‘Cicero and the Stage’, Hermathena 94, pp. 56-66.
  • Leppin H., 2011, ‘Between Marginality and Celebrity: Entertainers and Entertainments in Roman Society’, [in:] M. Peachin (ed.), Oxford Handbook of Social Relations in the Roman World, Oxford, pp. 660-678.
  • Lintott A. W., 1999, The Constitution of the Roman Republic, Oxford.
  • Loska E., 2014, ‘‘Cives pessimo iure’. Aktorzy a uprawnienia rzymskich obywateli w prawie publicznym republiki i wczesnego pryncypatu’, Zeszyty Prawnicze 14/3, pp. 167-191.
  • May R., 2006, Apuleius and Drama. The Ass on Stage, New York.
  • Morstein-Marx R., 2004, Mass Oratory and Political Power in the Late Roman Republic, New York.
  • Pina Polo F., 2011, ‘Public Speaking’, [in:] M. Peachin (ed.), Oxford Handbook of Social Relations in the Roman World, Oxford, pp. 286-303.
  • Powell J. G. F., 2007, ‘Invective and the Orator: Ciceronian Theory and Practice’, [in:] J. Booth (ed.), Cicero on the Attack. Invective and Subversion in the Orations and Beyond, Swansea, pp. 1-24.
  • Rawson E., 1985, Intellectual Life in the Late Roman Republic, London.
  • Richlin A., 1997, ‘Gender and Rhetoric: producing manhood in the schools’, [in:] W. J. Dominik (ed.), Roman Eloquence. Rhetoric in Society and Literature, London, pp. 90-110.
  • Sokala A., 1992, ‘Lenocinium’ w prawie rzymskim, Toruń.
  • Syme R., 1959, ‘Bastards in the Roman Aristocracy’, Proceedings of the American Philosophical Society, 104, pp. 323-327.
  • Visky K., 1964, ‘Osservazioni sulle ‘artes liberales’’, [in:] A. Guarino, L. Labruna (eds.), Synteleia Arangio-Ruiz, 2, Napoli, pp.1068-1074.
  • Williams C. A., 1999, Roman Homosexuality. Ideologies of Masculinity in Classical Antiquity, New York.
  • Wright J., 1974, Dancing in Chains. The Stylistic Unity of the Comoedia Palliata, Roma.
Typ dokumentu
Bibliografia
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