Warianty tytułu
Języki publikacji
Abstrakty
My intention in this paper is to answer two quite separate questions in a single inter-pretational narrative: a) about the philosophical (and often critical) content of Gernot Böhme’s expressis verbis—and, at times, “between the lines”—reference to the legacy of critical theory (especially the philosophical thought of Max Horkheimer, Theodor W. Adorno and Jürgen Habermas), and b) Böhme’s use of interesting mediatory devices to combine three different philosophical discourses: the philosophy of science, ethics and aesthetics. The three are in fact related—after all, Horkheimer ran comparisons between “traditional” and “critical” theory, Adorno is the father of the original aesthetical theory, and Habermas laid the ground for what we call “discursive ethics”—but this is a matter for separate and broader treatment. In this perforce shorter paper I will only attempt some initial reflections on the subject.
Czasopismo
Rocznik
Numer
Strony
147-170
Opis fizyczny
Twórcy
autor
- Institute of Philosophy and Sociology of the Polish Academy of Sciences
Bibliografia
Typ dokumentu
Bibliografia
Identyfikatory
Identyfikator YADDA
bwmeta1.element.desklight-3e960f5e-a978-42a2-b47a-a98e909de818