IL VALORE DELL’INCONTRO. ALCUNE CONSIDERAZIONI SU THE ARTIST IS PRESENT DI MARINA ABRAMOVIĆ

• Autorzy: Woźniak Katarzyna

Warianty tytułu

EN

The value of the encounter. Some notes on The Artist Is Present by Marina Abramović

• Języki publikacji: IT

Abstrakty

EN

The purpose of the article is to interpret Marina Abramović’s project – The Artist Is Present – within the theories of liveness and encounter. First of all, we define post-mediatic culture referring to Piotr Celiński’s proposals and the term ‘encounter’ according to Adam Węgrzecki. Finally, we propose some considerations on the encounter as a methodological approach to the phenomena whose main characteristic is liveness (Peggy Phelan and Philip Auslander). Finally, we pass to the analysis of the performance of Marina Abramović The Artist Is Present based on the considerations made previously.

Słowa kluczowe

PL

Marina Abramović; The Artist Is Present; żywotność; filozofia spotkania

EN

Marina Abramović; The Artist Is Present; liveness; philosophy of encounter

• Wydawca: Towarzystwo Przyjaciół Nauk w Przemyślu
• Czasopismo: Rocznik Przemyski
• Rocznik: 2018
• Tom: 54
• Numer: 2(22): Literatura i Język
• Strony: 123-129

Twórcy

autor

Woźniak Katarzyna

Bibliografia

• P. Phelan, Unmarked. The Politics of Performance, London 1993;
• P. Auslander, Liveness. Performance in a Mediatized Culture, London-New York 1999;
• P. Auslander, Digital Liveness. A Historico-Philosophical Perspective, “A Journal of Performance and Art” 2012, n. 102
• E. Fischer-Lichte, Estetica del performativo. Una teoria del teatro e dell’arte, Roma 2014.
• K. Woźniak, Przestarzałe ciało. Próby o estetyce performatywności w rzeczywistości postbiologicznej, [in:] Artysta: biokulturowy interfejs?, ed. M. Pieniążek, Kraków 2017, p. 75-84
• A. Jones, “The Artist is Present”. Artistic Re-enactments and the Impossibility of Presence, “The Drama Review” 2011, n. 55 1, p. 16-45..