Warianty tytułu
Języki publikacji
Abstrakty
The French editions of Whitman’s “Song of Myself ” have had from the start to contend with two difficulties—the “yawp” and the choice between a static or a more dynamic rendering of the poet’s cry. From the trail-blazing Bazalgette text (1909) to the latest Darras volume (2002), the history of Whitman’s signature line in France maps the route travelled by the various translators on the way to appropriate a poetic idiom that turns out to be not so “untranslatable” after all.
Czasopismo
Rocznik
Tom
Strony
p. 287-298
Opis fizyczny
Twórcy
autor
- American Studies at the Université François-Rabelais de Tours, eric.athenot@orange.fr
Bibliografia
Typ dokumentu
Bibliografia
Identyfikatory
Identyfikator YADDA
bwmeta1.element.desklight-1728b83c-d54d-415b-ad2b-3947ecb336f2