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2013 | 15: Text History and Society as Depicted in Indian Literature and Art. Part II. ŚRAVYA. Poetry & Prose | 307-324
Tytuł artykułu

Royal Attributes as Reflected in "Cankam" Poetry

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Abstrakty
EN
A figure of the ancient Tamil king occupies the central place in the division of the old Tamil poetry called puṟam. Along with his qualities as a warrior and a generous patron, his material attributes are described by poets. Many of them represent formal signs of royal power. The role of such objects as the royal scepter, the parasol and the drum is analyzed, their symbolic meaning is discussed. A special stress is laid on the connection of Tamil kings with plants. The role of chaplets made of flowers and the importance of ‘guarding trees’ are revealed. The traces of development of the poetic usage from a simple cliché to more complicated images are pointed out.
Słowa kluczowe
Twórcy
  • Moscow State University
Bibliografia
  • DED = Burrow, T. and M. B. Emeneau. 1961. A Dravidian Etymological Dictionary. Oxford: Clarendon Press.
  • Dubianski, A. M. 2000. Ritual and Mythological Sources of the Early Tamil Poetry. Groningen: Forsten.
  • Dubianski, A. M. 2002. The themes of nocci and uḻiñai in classical Tamil poetry. In: J. Vacek and H. Preinhaelterova (eds). Pandanus’02: Nature in Indian Literatures and Art. Prague.
  • Dubyanskiy, A. 2007. Elements of Poetic Technique in old Tamil poetry. In: Theatrum Mirabiliorum Indiae Orientalis. Rocznik Orientalistyczny. Tom LX, 2: 98–105.
  • Hart, G. L. III. 1975. The Poems of Ancient Tamil. Their Milieu and their Sanskrit Counterparts. Berkley–Los Angeles–London: University of California Press.
  • Kailasapathy, K. 1968. Tamil Heroic Poetry. Oxford etc.: Clarendon Press.
  • Kuiper, F. B. J. 1976. The worship of the jarjara on the stage. In: Indo-Iranian Journal. 16, 4: 241–268.
  • Zvelebil, V. K. 1973. The Smile of Murugan. On Tamil Literature of South India. Leiden: E. J. Brill.
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Bibliografia
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