Macbeth, petty bourgeois

• Autorzy: Jana Wild
• Języki publikacji: EN

Abstrakty

EN

Thirty years after the fall of the Iron Curtain in 1989, Macbeth appears to be paradigmatic for the post-Communist Slovak Shakespeare. Several productions have made the play a playground to explore the world in new terms (gender issues, grotesque, social identity). The focus of this paper is on a 1999 production in Nitra which fashioned Macbeth as an Ubuesque petty bourgeois.

Słowa kluczowe

EN

Shakespeare; Macbeth; grotesque; post-Communist; gender; national identity

• Wydawca: Masaryk University, Faculty of Arts
• Czasopismo: Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)
• Rocznik: 2021
• Tom: 24
• Numer: Special_Issue
• Strony: 209-221
• Rodzaj publikacji: ARTICLE

Twórcy

autor

Jana Wild

• Theatralia, redakce, Masarykova univerzita, Filozofická fakulta, Katedra divadelních studií, Arna Nováka 1, 602 00 Brno, Czech Republic