Czasopismo
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According to the definition of narrative identity introduced by Dan P. McAdams, the presenceof an artist in a public space may be perceived through the prism of Heidegger’s “being-in-the-world”. This form of immersion, which is directly connected with the categoryof (phenomenological) experience, lets us read/interpret a precise work in linear terms.Artworks, which are a kind of a self-reflection of an artist, a process of thought which isdedicated to his or her own creative path, are a particular example or form of explicationof narrative identity. As a matter of fact, the aim of this work is to indicate elements andtools which are necessary to form narrative identity. The analysis, based on philosophical knowledge, focuses on a precise example, the album entitled Anima which is a summaryof 20 years of Justyna Steczkowska’s artistic path.
Wydawca
Czasopismo
Rocznik
Tom
Strony
177-190
Opis fizyczny
Twórcy
autor
Bibliografia
Typ dokumentu
Bibliografia
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