HOW TO EXHIBIT A HUMAN MUMMY IN A FORMER MONASTERY? THE CASE OF THE BODY OF MICHAEL WILLMANN (1630–1706)

• Autorzy: Kozieł Andrzej
• Języki publikacji: EN

Abstrakty

EN

This paper discusses the mummified body of Michael Willmann (1630–1706) – one of the most outstanding painters of the Baroque period in Central Europe. Willmann’s mummy was preserved in the crypt of the former Cistercian monastery church in Lubiąż, Silesia (Poland). The article presents the history of the mummy and possibilities for opening the crypt and displaying it to the public, following the example of similar expositions in Europe which have found respectful and sensitive solutions for presenting the bodies of the deceased (e.g. Capuchin Crypt in Palermo and Capuchin Church in Brno). Willmann’s mummy is not only the body of an artist, but also a part of the cultural heritage of the Lubiąż Cistercians, making it worthy museification. This issue is particularly important in the context of the plans for establishing the Michael Willmann Museum in the former Cistercian monastery church in Lubiąż.

Słowa kluczowe

EN

WILLMANN MICHAEL; MUMMY; MONASTERY CRYPT; LUBIĄŻ; CISTERCIANS; EXPOSITION; POLAND

• Wydawca: Muzeológia a kultúrne dedičstvo, o.z.
• Czasopismo: Muzeológia a kultúrne dedičstvo
• Rocznik: 2020
• Tom: 8
• Numer: 4
• Strony: 95 – 105

Twórcy

autor

Kozieł Andrzej

• University of Wroclaw, Institute of Art History, ul. Szewska 36, 50-139 Wrocław, Poland,

Identyfikatory

DOI

10.46284/mkd.2020.8.4.7